Big Finish

Review: Torchwood – Sigil

Posted on by indiemacuser

Review by Cavan Gilbey

 

I’ve sort of been holding off doing this review for one central reason; this is the last time we will ever hear Murray Melvin as Billis Manger. I assumed that Cuckoo in the second Among Us set would have been the last time but Big Finish surprised us with the reveal of Sigil by Ash Darby, who has been a really strong recent writer that Big Finish has brought into the Torchwood range. So I went into this knowing it would be a bittersweet story, and I honestly think the ending is as good as you can get in terms of celebrating Melvin as a performer and everything he brought to the character of Billis.  Continue reading →

Review: Torchwood – Among Us 2

Posted on by indiemacuser

Review by Cavan Gilbey

Among Us is back for another set, exploring Torchwood’s battle with the idea of altered perceptions and false knowledge. Much like the previous set we’ve got a story about the modern problem of fake news, but also a look at influencer culture, memory implants and finally a story focusing on racial profiling and targeted hate. I’m a big fan of this more social commentary focused approach to Torchwood but this set is really giving the themes room to breathe and are giving us more conceptually experimental stories for those thematic studies. I sincerely hope that the next, and final, set in this series is as good as these previous two because we are currently dealing with the best Torchwood series yet on audio.

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Review: Doctor Who – Prisoners of London

Posted on by indiemacuser

Review by Jacob Licklider

There honestly wasn’t a surprise when Matthew Waterhouse was revealed to be writing a second Doctor Who Audio Novel for Big Finish Productions.  Watchers was a wonderful examination of the character of Adric and Season 18 on the whole, reflecting on Waterhouse’s time on the show through the program.  What is surprising is that Waterhouse does not attempt to strike lightning in a bottle a second time with Prisoners of London, instead crafting a story that very easily could have slotted in the middle of Season 19.  The premise feels like a standard idea that could have come from a pitch by John Nathan-Turner and Eric Saward in the best way, the TARDIS lands in London, 1982 leading Tegan to believe that the Doctor has finally gotten her home even if it isn’t Heathrow Airport as she was expecting.  This London, however, is not the London that we know, it is ruled by Emperor Geoffrey Chaucer, there are police boxes on every corner ready to arrest those breaking laws, and there are far too many Tower Bridges down practically every street.  Now Prisoners of London is presented in the now typical format for the Audio Novels of multiple parts and not the typical chapter structure of a novel, however, this one suffers slightly from that format.  Waterhouse clearly has experience as a novelist and as such is writing Prisoners of London in that format, especially apparent in the final moments of the production which jump ahead in the life of the Doctor significantly for a sequence that in a normal novel would be an epilogue, but here is just presented as the final scenes which make it stand out as odd.

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Review: Seventh Doctor Adventures – Far From Home

Posted on by indiemacuser

Review by Jacob Licklider

The Seventh Doctor Adventures of 2022 were split between two TARDIS teams and it seems 2023 will be following this format, the second set being the first installment of The Last Day which was announced in the original pitch announcement for Big Finish Productions’ move to the box set model, but the first of the year continues the companion threads of Sullivan and Cross – AWOL with Far from Home.  Now, social media has made several Spider-Man jokes but I actually haven’t kept up with the MCU so insert topical Spider-Man reference here, but Far from Home is the set that wants to take Harry and Naomi away from their second status quo of 21st century London and into a past that is a very prominent shadow for both of them and into the far-flung future.  The structure of the set follows Conflicts of Interest by giving the listener two three-part stories to enjoy and once again I cannot praise Big Finish enough for going with this model, it’s a far more sustainable model for storytelling than a reliance on one hour Doctor Who stories as the short runtime often leads to overstuffing and an underbaked exploration of the idea.  With three-part stories, especially on audio where the standard length of an episode is 30 minutes instead of just the classic 25 minute format, writers can push their one-hour ideas to what they need to be without needing tot do a larger story that would suit the four-part format.

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Review: Doctor Who – Once and Future – The Artist At The End Of Time

Posted on by indiemacuser

Review by Cavan Gilbey

Past Lives was a bit of a damp squib of an opening for Once and Future. While I didn’t review the story for this site I do think a lot my personal criticisms are echoed by the review that was posted. So going in to The Artist at The End of Time I was more optimistic, after all the only way is up isn’t it. James Goss I think did a good job at getting me back into being optimistic for the stories yet to come as this simple story about art’s impact, its ability to destroy as well as create, and the social economy that has formed around the idea of an art marketplace. Goss is known for his often satirical stories, and this entry into the 60th Anniversary range is pretty characteristic of his social commentary. However the hour long run time does hold this story back in really expanding and exploring the relationships between the central trio of The Doctor, Jenny and The Curator. 

I shall warn you know this review will contain SPOILERS!.

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Review: The Fourth Doctor Adventures – Angels And Demons

Posted on by indiemacuser

Review by Jacob Licklider

New Frontiers began the twelfth series of the Fourth Doctor Adventures wonderfully with two four-part adventures that introduced the character of Margaret Hopwood, played by Nerys Hughes, to the Doctor’s world as second companion with Louise Jameson’s Leela.  Angels and Demons is the second half of the series, once again with a fifth bonus story CD, concluding the series and Margaret Hopwood’s travels, making another Big Finish Companion to have a limited run of only six stories.  Angels and Demons is also the return of two-part stories to the Fourth Doctor Adventures in a significant way with three of the four stories in that format, something we hadn’t seen since 2019 with The Syndicate Master Plan, and something Series 13 will be continuing in 2024.  Bringing the travels of Margaret Hopwood to a close so soon is a bit of a double-edged sword, since it’s a shorter run the stories have to be exceptionally good if the character is to be remembered unlike other Big Finish original companions with short runs (Hannah Bartholomew comes to mind as one that has fallen into obscurity while Raine Creevey is quite well remembered among Seventh Doctor fans).  It does give the character the opportunity for a definitive beginning, middle, and an end which means Margaret won’t become a character like Flip or Constance who have had their travels extended indefinitely due to actor availability and illness.

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Review: The War Master – Solitary Confinement

Posted on by indiemacuser

Review by Jacob Licklider

When this ninth series of The War Master was announced, it was also announced as the first of three final sets to be produced under Scott Handcock, all made as he was preparing to transfer to Doctor Who on television as script editor, though as is tradition with the range it is still a while before that final set is released (it is currently slated for a June 2024 release).  Solitary Confinement is the first of these three sets and while there isn’t an intent to make a trilogy of series, the listener can’t help but notice that the final two sets have titles of Rogue Encounters and Future Phantoms, while Solitary Confinement seems like the odd one out.  As a set there are moments where it feels like a greatest hits of the style of stories The War Master as a range does, building up to a final twist which in and of itself has similarities to some of the other final twists of the range (Hearts of Darkness in particular comes to mind especially).  For the purposes of this review, I only listened to the set through once to analyse it on initial impressions, but I have a feeling that the recontextualisation, something that becomes quite obvious in hindsight, might explain some of the issues I found myself having with the set, mainly with how derivative it is.  There is a general theme of the Master being imprisoned in an intergalactic insane asylum which is such an evocative image, yet for much of the set it is sadly used as a framing device for the middle two stories with the opening and closing episodes being the main thrust of the asylum stories, for better and for worse.  Because of these issues, I have decided to forgo the usual individual episode scores as all four have highs and lows with things that work and don’t work for me not necessarily being the same for you as a listener.

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Audio Review: Star Cops – The High Frontier 2

Posted on by indiemacuser

Review by Ian McArdell

Star Cops is now, unbelievably, three series into its audio revival – not too shabby for a show which only managed one television run during the summer of 1987. 

Winning a small but devoted fanbase, the show sprang from the mind of the late Doctor Who scribe and Blake’s 7 script editor Chris Boucher. He transplanted a police procedural to space, some thirty years in the future, providing clever detective stories with a sci-fi twist. No aliens, just humanity with all its foibles and failings. As the show’s lead Commander Nathan Spring is told in the series’ opener “Spacemen are ten-a-penny. What they need out there is a good copper.”full (3)

The High Frontier storyline comes to its conclusion in this box set with a trio from the show’s original television cast, David Calder (Nathan Spring), Trevor Cooper (Colin Devis) and Linda Newton (Pal Kenzy), alongside Phillip Olivier’s Paul Bailey who was created for audio. Together, the team are on the trail of an insidious organised crime gang known as The Collective, but they soon learn that their enemies are prepared to strike very close to home to thwart the investigation.
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Review: Torchwood – Among Us 1

Posted on by indiemacuser

Review by Cavan Gilbey

Torchwood is back with a brand new seventh series, following from the Aliens Among Us and God Among Us series previously released. Now considering that I had not heard either of those two series before this point I thought I would be hopelessly lost but rest assured that this boxset feels like a good enough jumping on point since the writers do a good job at getting you up to speed quickly. The four stories here all have a strong linking theme of prejudice, and the set takes the themes to some interesting places. As a continuation of what we have seen on television, this is a worthy successor to the four series we got on our screens.

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Review: The Ninth Doctor Adventures – Pioneers

Posted on by indiemacuser

Review by Jacob Licklider

I ask, dear reader, to indulge me a moment before we get into this review proper for just a moment with a few pieces of context for this review.  First and foremost, I am of the firm belief that the first series of Ninth Doctor Adventures should have ended as subtly implied with the Ninth Doctor going into the events of the television story Rose and the beginning of those adventures.  Second, I am also of the belief that the Ninth Doctor especially is a character who works best when there is a companion or companion figure to be attached too.  Finally, the third story of this set deals with the historical establishment of football leagues and I am an American, so take any of my takes on the history of that third episode with the largest pinch of salt you possibly can.  Pioneers opens the third series of Ninth Doctor Adventures from Big Finish Productions and marks the first set in this range to not be released on vinyl as well as CD and download.  This marks a very important shift for the style of these three episodes, mainly because they are not bound by the vinyl format of strictly being 45 minutes in total due to technical limitations, so these three episodes are expanded to an hour.  While I personally prefer my Doctor Who stories to be generally longer than that, this jump in runtime really helps this set feel like each episode is expanded just enough to provide greater depth than previous releases had allowed.

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