Review: Ninth Doctor Adventures –

Review by Cavan Gilbey


It feels like only yesterday when Eccleston joined the team at Big Finish to star in a batch of new adventures, 8 boxsets later and we have reached the end of what we know the company had planned for the Ninth Doctor Adventure range. It’s been a range with some genuinely spectacular stories, reuniting this Doctor with old friends and old enemies in ways that feel new and fresh. There have been some rough patches on the journey to Shades of Fear but with 24 new stories in this series that is only to be expected. This new boxset I think is the most emblematic of the ranges strongest and weakest elements, it has the characteristic inconsistent quality that has been a bit of a blight on the range but the spirit of the era is captured so vividly with the right themes hitting home and the atmosphere fitting really nicely into what RTD helped create back in 2005. Its not the best one we’ve had from the range, but still manages to keep the momentum from previous sets rolling and delivers an all around good experience with Eccleston at the helm.

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Review: The Diary of River Song – Friend Of The Family

Review by Cavan Gilbey


River Song has had a bit of a fandom redemption I feel thanks to Big Finish, sure she had a ton of fans thanks to her TV outings (myself included) but the Classic Who fans and those who weren’t massively enamoured with Moffatt’s writing style would probably need a lot of convincing to like Doctor Song. That’s where the Diary of River Song range seems to come in, offering a fun bridging of the worlds of Classic and New Who along with plenty of original stories. I’d heard the second, fifth, and sixth volumes before coming into series 11. I had really positive experiences with the former two but was hugely disappointed by what felt like fanservice for the sake of fanservice in volume 6. But Friend of the Family offers a new avenue for the series; a distinct absence of Doctor Who elements. Previously we’d either have had a prior Doctor, companion or foe but here we have a completely original and stand-alone story which gives River the time to shine she deserves.

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Review: Torchwood – Double (Part 1 & 2)

Review by Cavan Gilbey


Every so often Big Finish will give us the chance to explore new characters within the Torchwood universe, offering us a look at branches and agents we may never would have seen onscreen. We’ve been to a Third Reich occupied Paris in The Dying Room, a Charlie’s Angels inspired LA in The Dollhouse and most famously we’ve had a glimpse into Norton Folgate’s Soho based branch. Double follows suit and takes back to a world where the Autons are slowly plotting their global take-over through corporate subterfuge and how a 70s British Torchwood may go around dealing with this hostile threat. Double’s strength lies in its longer format as we get to feel more involved with the world we see in Guy Adams’ script, everything is given the room it needs to breathe and we are offered an Auton story that feels genuinely fresh and expectedly bleak. Although there are some issues with how long it takes Adams to breathe, which ultimately does leave us with a big cluster of brilliant ideas and characters trapped within a narrative which ends up being somewhat confusing for the listener. img_3585

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Review: Time War – Cass

Review by Jacob Licklider


What’s always fascinating for a range is what happens when a cast member cannot return for a range.  Time War: Cass is one such release, continuing the Eighth Doctor releases from Time War: Volume Four but without the character of Bliss due to scheduling conflicts with Rakhee Thakrar.  Luckily, unlike the issues that arose with Dark Eyes and the scheduling conflicts Ruth Bradley faced, the setting of Time War: Cass is one where due to the universe being in a constant state of flux due to the Time War.  This is something that the writers of this box set are keenly aware of with each of the three stories featured doing something with the ‘time’ element of the Time War which is already a recipe for success when dealing with this era.  There is a clear reason (or at least an appearance of a reason) for why Bliss isn’t there, though the details of this are not given to the listener partially for intrigue and partially because there is not a guarantee that she will be available to record with Big Finish anytime soon.  Instead this set picks up some time after the cliffhanger ending of Time War: Volume Four with the Doctor traveling with Alex Campbell, once again played by Sonny McGann, with an unspecified amount of time having past and this is an interesting premise since when we last saw Alex he was dead. Continue reading

Review: Class – Secret Diary of a Rhodian Prince

Review by Cavan Gilbey


Big Finish did the impossible; they made Class one of my favourite Doctor Who spin-offs.  Prior to hearing Secret Diary I was well accustomed to the first two volumes of the audio stories set within Coal Hill Academy, and I absolutely adored them and hold them up as a pair of Big Finish’s best New Series era boxsets. They have stories which explore new ideas, really interesting small scale sci-fi threats, and have outstanding character development and characterisation. As of time of writing I am yet to hear the later two series of stories, I have been put off due to the recasts, but the finale of Volume 4 was penned by one Blair Mowat; composer extraordinaire who has done Big Finish’s best musical suites as well as composing the excellent score for Class’ TV series. In recent years he has stepped into the world of writing, first with Queen of Rhodia and now with Secret Diary of a Rhodian Prince. Which, with no word of exaggeration, is the best Class story and an easy early contender for favourite release of 2023.

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Review: Doctor Who – The Dead Star

Review by Jacob Licklider


The Audio Novels range after three releases has taken a very important step. Big Finish Productions has deemed it profitable to publish an audio novel without a returning villain such as the Cybermen or the Daleks. The Dead Star doesn’t have a returning villain and that alone would be enough to get me excited, but then Big Finish made my New Adventures loving heart sing with the triumphant return of Kate Orman to Doctor Who. Orman is perhaps my favorite writer of Doctor Who and for a whole new generation of fans (and several old generations of fans) this will be their introduction to just what she does oh so well, and what an introduction. The Dead Star is going right into new territory for Orman, her first story to feature the Second Doctor and only written because Orman and her husband and frequent collaborator Jonathan Blum were watching the recent animations. While Orman in the behind the scenes doesn’t mention which animation in particular inspired this story, there is a great sense of a direct continuation from The Power of the Daleks as well as The Macra Terror specifically for its aesthetics.

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Audio Review: The Worlds of Blake’s 7 – Allies and Enemies

Review by Ian McArdell


Of all the Blake’s 7 characters destined to grab centre stage in their own spin-off, I’m not sure I had ever anticipated Arlen (Sasha Mitchell). However, in retrospect, she’s one who was begging for a backstory; the insidious Federation security officer was responsible for bringing down the errant Blake, and all of Avon’s crew, during the show’s shocking finale.

Following Arlen’s story, this boxset has a wide timeframe. In the first adventure she encounters Cally prior to the telepath’s time with Blake, the second sits somewhere in Series B, and the third brings us Jenna Stannis, after her Liberator days.

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Review: Short Trips – The World Tree

Review by Cavan Gilbey


The final Big Finish release of 2022 is upon us; the latest entry in the Paul Spragg memorial competition. This yearly event has gifted us with some genuinely fantastic talent, each and every story does feel genuinely fresh and new so it’s great to see that tradition is being upheld by The World Tree from Nick Slawicz. This story has a lot of DNA in common with stories like Landbound or The Last Day at Work where the primary story is all about how a single person has their life shifted by a meeting with the Doctor. The Doctor in question is Eleven, who I think Big Finish have done excellent work with this year as Geronimo was a real highlight. The World Tree further shows how Big Finish really want to push the limits of the stories you can tell with this Doctor, and Slawicz story is successful at demonstrating the depths of Eleven’s character. 

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Review: The War Master – Escape From Reality

Review by Cavan Gilbey


The War Master range has easily become one of Big Finish’s finest spin-offs, certainly one the most popular at any rate. But it may shock you to hear that prior to this boxset I had never heard any of Jacobi’s audio boxsets. I had listened to the War Master’s adventure in River Song’s audio series, and really loved it and the characterisation of this particular incarnation of the character but I never went on to get any of his solo outings. But that all changed with Escape From Reality, which I absolutely had to hear due to it being a spiritual successor to The Mind Robber from Troughton’s era of the TV show which happens to be my favourite all time Doctor Who television story. Getting to see the Land of Fiction become corrupted by an evil presence was always going to be interesting, the fact that it got to be Jacobi’s Master is an added bonus. 

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Review: Unit – Brave New World 2 – Visitants

Review by Jacob Licklider


Perhaps the saddest thing about UNIT: Brave New World is that it is only two box sets long and is currently the only thing announced to use this particular UNIT team.  Seabird One was already an excellent set and start to the miniseries bringing back Angela Bruce’s Winifred Bambera, but it’s up to Visitants, the second set, to take all the open threads and tie them up.  The miniseries is one that genuinely feels different from the other Big Finish ranges, taking what Battlefield started bringing in a new cast of characters that through the great script editing from Robert Valentine and brilliant direction from Scott Handcock.  Producer Emily Cook has also really gotten to come into her own in her role as this is a range that is essentially all her own.

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