Over 800 episodes of Doctor Who programming all available on BBC iPlayer.
Every episode on iPlayer will now be available with subtitles, audio description, and sign language for the first time.
Over 800 episodes of Doctor Who programming all available on BBC iPlayer.
Every episode on iPlayer will now be available with subtitles, audio description, and sign language for the first time.
Review by Cavan Gilbey
*contains spoilers*
I’ve slowly come to realise why I like the PC Andy focused Torchwood episodes, its all down to how human and borderline slice-of-life they feel. Sure you could argue that the Ianto episodes are equally full of humanity due to how emotionally driven that character is, but the emotional stakes are always relatively high in a Ianto centric story. Whereas with Andy there’s the sense that nothing feels too dangerous, with the exception of his double-act stories with Owen that it is. This brings us to Dog Hop by Stewart Pringle, the latest outing for the beloved Cardiff copper. This time he’s on the case following a string of missing persons and rapidly appearing dogs, with some help the regulars of the Red Lion pub it is up-to Andy to solve this strange canine case.
Review by Cavan Gilbey
Once and Future continues, or rather plods along, with Two’s Company and return to a Sixth Doctor driven story, the second in this very series. However even Colin Baker can’t save this one as Two’s Company strikes out as the weakest of the stories we’ve had so far, which is saying something given the overall response to Once and Future so far can be summed up with the phrase ‘meh.’ The phrase ‘Dartboard Plotting’ has been coined recently to describe elements of Big Finish’s current output, and I feel it was this story which catalysed the recent surge of that phrase’s use. When looking at this story, which contains two companions from the modern era paired with the Sixth Doctor and an older Harry who team up to fight a fan favourite Big Finish original baddie, it is hard to not simply say this is epitome of randomised idea generation. 
Review by Cavan Gilbey
I think we all knew that this series couldn’t last forever but seeing it come to an end still feels a bit surreal. The Diary of River Song has been one of my favourite Big Finish spin-off series, actually doing the impossible job of getting me to really like River Song; a character I ended up loathing on television by the time she was playing a prominent role in the Matt Smith era. But the The Orphan Quartet feels like an appropriate end, especially with how each writer uses the theme of grief and acceptance to explore River finally coming to terms with losing her husband and parents. I don’t think this is by any means the most consistent, or even best boxset in the series, but it certainly feels like the most appropriate way to send of River Song’s solo series. I expect we’ll see her again in the future, but for now this is the end. 
Review by Jacob Licklider
The second installment of the third series of Ninth Doctor Adventures from Big Finish Productions is continuing the idea of these sets being three stories wrapped around a theme. This set has the Ninth Doctor traveling alone once again, but with the wraparound title of Travel in Hope giving the audience an immediate understanding of the overarching theme of the set. This theme is the Doctor bringing some sort of hope, or causing some sort of hope for the future to come around, something that allows each of the three stories to really hammer home the idea of the hope that the Doctor himself is lacking, and the need for a companion. This need for a companion was briefly solved in the previous set, Pioneers, but sadly that Doctor/companion relationship was limited to one story. The continual use of the Ninth Doctor without Rose is becoming a clear issue and that issue is hanging over each episode of Travel in Hope, almost enough that it feels as if writers Lauren Mooney, Stewart Pringle, James Moran, and Robert Valentine are screaming at Big Finish to schedule some dates where Christopher Eccleston and Billie Piper can get together and record some stories so these turning wheels don’t just keep turning. This is the tenth set for the Ninth Doctor Adventures and there are most likely two more where this issue will present itself, both being released in 2024. The other solution would be to give the Ninth Doctor a second, pre-Rose companion, which may come with its own set of problems, but they would be a different set of problems with a different set of solutions as potentially interesting storytelling avenues to explore a la the forced gap Big Finish made work with the Fifth Doctor and Peri in the early monthly range.
Doctor Who fans got to see a trailer for the upcoming 60th anniversary specials today, the trailer aired ahead of the popular Strictly Come Dancing program on BBC One. Check it out below

Review by Jacob Licklider
The UNIT range from Big Finish Productions’ latest story arc UNIT Nemesis has become the latest four box set miniseries to come to a close with UNIT: Nemesis: Masters of Time, a set that to properly review without beating around the bush, feels as if production issues and rescheduling caused the recording dates to be moved around and actor availability to cause rewrites, especially to the first three scripts. UNIT: Nemesis: Objective – Earth ended with the big reveal that Missy is behind everything and working with the Vulpreen to take over the Earth, a great cliffhanger but sadly UNIT: Nemesis: Masters of Time takes until the final episode for Missy to actually appear, having several mentions through the first three episodes. This is an issue that could be lessened by the use of the Vulpreen, who have been a major secondary threat throughout the miniseries, paired with the Eleven who was written out completely for Masters of Time. The issues here is that the Vulpreen never actually come together in this set as a credible threat to take over the Earth, the first three of the stories instead focusing on the UNIT characters and then the final episode being focused on Missy.

Review by Jacob Licklider
Big Finish Productions’ third installment of their 60th anniversary celebratory series, Once and Future, has been released and puts degenerating Doctor into his Seventh incarnation, played by Sylvester McCoy for A Genius for War. A Genius for War is interesting because the TARDIS is intercepted so the Doctor can go on a mission for the Time Lords led by the General and Veklin, played by Ken Bones and Beth Chalmers respectively, as Davros, played by Terry Molloy, has an offer for the Time Lords. The TARDIS being taken by the Time Lords means that this is an episode that feels more like a side step for the series, and as such Jonathan Morris is allowed to tell a complete Time War story in one hour, however, there is some oddities with the characterisation of the Doctor. Past Lives characterised the Fourth Doctor as not the Fourth Doctor due to the Doctor being a future Doctor in the body of the Fourth Doctor, but The Artist at the End of Time altered the characterisation so the Fifth Doctor acted as the Fifth Doctor. Jonathan Morris doesn’t quite take either approach, A Genius for War blending the portrayal to play to McCoy’s strengths but also feel as if it was rewritten for a different Doctor. This is certainly a possibility as Morris could easily have pitched this as a War Doctor story, the War Doctor on Big Finish is at least similar in the types of stories he has to the Seventh Doctor, so the rewrites while extensive wouldn’t have been as complicated as say rewriting the story for the Fifth Doctor or Eighth Doctor for instance. Morris’ script makes the Doctor take charge of the mission to find Davros and then blends several past and future stories into a single hour.

Review by Cavan Gilbey
I’ve sort of been holding off doing this review for one central reason; this is the last time we will ever hear Murray Melvin as Billis Manger. I assumed that Cuckoo in the second Among Us set would have been the last time but Big Finish surprised us with the reveal of Sigil by Ash Darby, who has been a really strong recent writer that Big Finish has brought into the Torchwood range. So I went into this knowing it would be a bittersweet story, and I honestly think the ending is as good as you can get in terms of celebrating Melvin as a performer and everything he brought to the character of Billis.
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