Doctor Who

Review: Phillip Hinchcliffe Presents – The God Of Phantoms

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Review by Jacob Licklider

Philip Hinchcliffe Presents is a Big Finish range that is tangentially related to The Lost Stories in that it is a range from the mind of a previous writer doing stories that fit in line with that era of the television show, but not actual ideas which were ever proposed. Philip Hinchcliffe, enjoying the work done adapting his lost story The Valley of Death, began to work with Marc Platt to produce his ideas, alternating a six and four part story. Four stories were released across three releases between 2014 and 2017, so imagine the surprise when a fourth release was announced for August 2021. As described in the behind the scenes interviews, The God of Phantoms is a story that just came to Hinchcliffe and has been in development at Big Finish for a while as Platt worked and reworked the outline into a usable form. Recording actually happened in February of this year, not too long before it was officially announced, and like any Philip Hinchcliffe Presents release is one focused squarely on mixing gothic horror and science fiction. While the range itself has been incredibly varied with stories like The Ghosts of Gralstead and The Devil’s Armada being classic horror and The Genesis Chamber being more straight science fiction, The God of Phantoms actually most feels like a story produced by Hinchcliffe’s successor Graham Williams in The Stones of Blood.

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Review: Doctor Who – Early Adventures (Series 7)

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Review by Jacob Licklider

It is always a special day when Big Finish Productions revives a range previously thought ended. The Lost Stories easily come to mind over the past few years having two series of previously unseen stories released over the last three years, and after another near two year break The Early Adventures returns for a seventh series of two releases celebrating the William Hartnell era of the show. This year also perhaps went in a different direction in connecting both stories as a sequel and a prequel to 1960s stories, the first giving the audience an idea of what happened to Susan immediately after The Dalek Invasion of Earth while the other shows just how the Doctor acquired the Holy Ghanta seen in The Abominable Snowmen. Like Series 6 of The Early Adventures each story is told at different ends of the First Doctor’s life, the first being right near the beginning of his travels while the second being right near the end with his last regular TARDIS team, both focusing deeply on the companions and their time with the Doctor and just what it means to be a companion in these early days of Doctor Who and how that role has changed over the years.

The first release is After the Daleks by Roland Moore and is odd for a release in that it doesn’t feature the Doctor. Set in the immediate aftermath of The Dalek Invasion of Earth, just as the TARDIS has dematerialised and Susan has dropped her key to the TARDIS. As the title implies it’s all about how humanity can pick up the pieces after the Dalek forces have all been defeated, and despite having a Dalek emblazoned on the cover, they don’t actually play an active role in the plot. The entire story is focused directly on humanity and what the Daleks have left behind: Susan is finding her equilibrium in the decision that her grandfather made for her, Jenny Chaplin has found her robotised brother and is attempting to save his life, and David is trying to get some sort of government. The Daleks are a threat which could always be coming back and there is a single Dalek left alive, immobilised, planning and scheming to find a way to retake the Earth.

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Review: The War Master – Killing Time

Posted on by indiemacuser

Review by Jacob Licklider

What made the first two instalments of The War Master work incredibly well was the decision to have the Master acting as a background character, working his scheme and influencing people to do things that seem to be good before things fall right apart at the end and it turns out the Master’s been in control all along. Killing Time, the sixth installment (though the fifth to be recorded, switched due to the COVID-19 pandemic) places the Master on the Stagnant Protocol. The planet is one that is out of the way and only noticed when people think that it can be taken over for its own gain. Currently there is a viral plague which the government has been inefficiently handling allowing for a new empress to take power with the Master working from behind the scenes. Now, this series was recorded in 2019 before the COVID-19 virus even existed, yet James Goss and Lou Morgan, in writing a science fiction set where the government doesn’t take the plague seriously, and the scientists are trying desperately to find a cure to the variants. In the behind the scenes interviews, the absurdism of Goss and Morgan’s premises for these episodes, as they weren’t expecting a global pandemic to take the world into one where the situation of the Stagnant Protocol is one that we now all know far too well. Even more coincidentally, this isn’t the only time this happened for Big Finish, two main range releases were delayed for similar reasons.

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Chris Chibnall & Jodie Whittaker to exit BBC’s ‘Doctor Who’

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The BBC has announced today that 13th Doctor actress Jodie Whittaker and show-runner Chris Chibnall are set to leave the iconic BBC sci-fi show Doctor Who. Their time on the show will culminate with a trio of Specials, culminating in an epic blockbuster Special to air in autumn 2022 as part of the BBC’s Centenary celebrations. Continue reading →

Teaser/details released for Doctor Who Series 13

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During a panel for ComicCon@Home we now have further details and a teaser trailer for Doctor Who series 13 which sees the return of Jodie Whittaker as the Thirteen Doctor and returning companion Mandip Gill as Yaz.

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Freema Agyeman reprises Martha Jones role in new audio adventures from Big Finish Productions

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Freema Agyeman returns in her own triumphant trio of audio adventures, to be released in December 2021.

After more than a decade away from the TARDIS, the Tenth Doctor’s companion, Martha Jones, is returning to the world of Doctor Who, in a brand-new box set of full-cast audio drama from Big Finish Productions.

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Review: Doctor Who – Dalek Universe 2

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Review by Michael Goleniewski

Cycle of Destruction by Roy Gill

“Cycle of Destruction” continues the “Dalek Universe” adventures with an audio counterpart to “House of Kingdom” from the prior set but this time focusing on the other component of this saga’s main trio. Roy Gill’s script wastes no time in jumping right back into the fray, albeit in a way that feels more like a necessary diversion rather than a substantial addition to the main thrust of the arc. The premise is a strong one overall and it’s nice to see Mark himself get the same amount of attention and backstory that Anya did previously. But the plot and writing contain tons of technical exposition that (while interesting in how it handles the aspects of the ALARK facility and the intensive lives of the people working within it) grinds the pacing and excitement at hearing these characters again to a screeching halt. Still, the writing also touches on deeper questions as to the nature of Mark Seven and the androids themselves as well as contains major flashbacks to Mark Seven’s past which is as harrowing as one would expect. It’s in those moments and in the tension between members of the TARDIS team as to how and why they got there in the first place that the story truly shines and not necessarily in the immediate details of what’s going on in the plot. Continue reading →

Lost ‘Doctor Who’ story ‘The Evil of The Daleks’ getting animated release

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The Evil of the Daleks is the mostly-missing ninth and final serial of the fourth season of the British series Doctor Who, which originally aired in seven weekly parts from 20 May to 1 July 1967. The Evil of the Daleks fills another gap in the missing Doctor Who content lost in the purge of the BBC archive soon after the programme’s original transmission. However, audio-only recordings of all seven episodes have survived and have been used here to create a brand new fully animated presentation of this lost classic, featuring the original surviving second episode.

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Olly Alexander Doctor Who speculation officially denied by his management

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Olly Alexander, frontman of the band Years & Years (now continuing as Alexander’s solo project) and star of the recent hit series It’s A Sin has reportedly been in talks to take on the iconic role of The Doctor in BBC’s Doctor Who once Jodie Whittaker (who took up the role as the first-ever female Doctor in 2017) steps down from the role (which has been rumoured to be at the end of the upcoming season).

This rumour has been officially denied by Alexander’s manager via Instagram.

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RUMOUR – Olly Alexander in talks for ‘Doctor Who’

Posted on by indiemacuser

Olly Alexander, frontman of the band Years & Years (now continuing as Alexander’s solo project) and star of the recent hit series It’s A Sin is reportedly in talks to take on the iconic role of The Doctor in BBC’s Doctor Who once Jodie Whittaker(who took up the role as the first-ever female Doctor in 2017) steps down from the role (which has been rumoured to be at the end of the upcoming season).

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