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Review: Doctor Who – Mind Of The Hodiac

Posted on by indiemacuser

Review by Jacob Licklider

There isn’t often the opportunity to see some of the first work of an author that has gone on to make an impact. Robert Jordan and Brandon Sanderson had both early works published in some form (Jordan’s being published by hid wife and Sanderson publishing a first draft as a Kickstarter reward), yet with Big Finish it’s almost surprising that something like Mind of the Hodiac hasn’t happened sooner. Russell T. Davies found the initial script for Part One and storyline for Part Two in a box in 2020 when Emily Cook was doing the Lockdown watch-alongs on Twitter which he wrote at some point between 1986 and 1987 before even making it into TV, the first script he sent to the Doctor Who Production Office which was, of course, rejected. In finding the script, pictures were posted on Twitter of some of the pages as a treat and in Davies’ mind that was the end of that. But then Scott Handcock, director and writer for Big Finish, contacted Davies with Emily Cook in tow as one of the newer producers to acquire a copy of the script (apparently physically and not just scanned into a computer if the behind the scenes interviews are correct in its implication). Continue reading →

Review: The Lone Centurion – Volume 2 ‘Camelot’

Posted on by indiemacuser

Review by Jacob Licklider

Mild spoilers…..

 

The Lone Centurion was kind of a dark horse for Big Finish Productions, coming in under the radar with a premise of being a spin-off set in between The Pandorica Opens and The Big Bang, in Roman times with Rory trying to survive while guarding the Pandorica and Amy inside of it. Because of an already vague premise it meant that the writers could really do anything with the premise, the first volume being a three part miniseries in the Roman empire while The Lone Centurion: Camelot does what it says on the tin, a three part miniseries in Camelot. There is one overall issue with the set, it follows the same formula as the first set to the letter with the first story being mostly set up of the world ending with Rory in a position of power that he doesn’t quite want, the second being an interlude leading to an ending with Rory at a low point, and the third being the finale ending with a large set piece as a conclusion before Rory moves on to pastures new. This isn’t necessarily a bad thing, formulas work for a reason and there are plenty of amazing stories that follow established formulas, but for a spin-off it isn’t something that can always be relied upon to the letter. Going forward Big Finish will have to mix things up if the want this spin-off to stay interesting. That isn’t to say the formula can’t be followed, it just needs to be mixed up a bit, especially if there is going to be a third box set. The Lone Centurion: Camelot also has an interesting setting, being mostly fictional and not really based on anything in history while doing three stories in a pure historical mood. There aren’t any science fiction elements outside of the Pandorica being a McGuffin that the villain of the set is after, the fact that Rory is an Auton. Some of the science seems a bit too advanced for the era, but there are no instances of magic or sorcery that you would expect from a King Arthur legend.

Continue reading →

Review: The War Master – Hearts of Darkness

Posted on by indiemacuser

Review by Jacob Licklider

The War Master since its inception in 2017, has become one of Big Finish Productions’ most consistent ranges, with three of the four previous sets being released to critical acclaim with only one falling short. The range has been characterised by an exploration of darker themes throughout the Time War, giving Derek Jacobi one of the darkest incarnations of the Master to portray and explore. War is the prominent theme and how war changes people and planets, the hopelessness associated with a war to end all wars such as the Time War, and the atrocities which arise from two societies being pushed to their limit. The audio format is perfect for this type of story as it allows the cast and crew to go as dark as possible, using the power of suggestion to depict such atrocities and the listener’s mind is responsible for the gruesome images, all the while never having to restrict themselves to an adult only audience. These types of stories were best explored by the first, third, and fourth sets, while the fifth sets, Hearts of Darkness, instead decides to focus in on how the war is most effecting the two Time Lords set to survive the Time War, the Doctor, here played by Paul McGann, and, of course, the Master. Keeping the established format of four stories written by two authors, in this case David Llewellyn and Lisa McMullin, telling a linked tale over the four-hour period. Unlike previous sets, Hearts of Darkness employs several plot twists which recontextualises what has come before in the set, making it near impossible to separate each episode from one another. Things change, and like any good story, the whole is greater than the sum of its parts. Continue reading →