Review by Jacob Licklider
There honestly wasn’t a surprise when Matthew Waterhouse was revealed to be writing a second Doctor Who Audio Novel for Big Finish Productions. Watchers was a wonderful examination of the character of Adric and Season 18 on the whole, reflecting on Waterhouse’s time on the show through the program. What is surprising is that Waterhouse does not attempt to strike lightning in a bottle a second time with Prisoners of London, instead crafting a story that very easily could have slotted in the middle of Season 19. The premise feels like a standard idea that could have come from a pitch by John Nathan-Turner and Eric Saward in the best way, the TARDIS lands in London, 1982 leading Tegan to believe that the Doctor has finally gotten her home even if it isn’t Heathrow Airport as she was expecting. This London, however, is not the London that we know, it is ruled by Emperor Geoffrey Chaucer, there are police boxes on every corner ready to arrest those breaking laws, and there are far too many Tower Bridges down practically every street. Now Prisoners of London is presented in the now typical format for the Audio Novels of multiple parts and not the typical chapter structure of a novel, however, this one suffers slightly from that format. Waterhouse clearly has experience as a novelist and as such is writing Prisoners of London in that format, especially apparent in the final moments of the production which jump ahead in the life of the Doctor significantly for a sequence that in a normal novel would be an epilogue, but here is just presented as the final scenes which make it stand out as odd.








