Review: The Sixth Doctor Adventures – Purity Unleashed

Review by Jacob Licklider


Water Worlds and Purity Undreamed comprised the start of a brand new story arc for the Sixth Doctor and Mel, ushering in the new era of box sets for the characters under the helm of producer Jacqueline Rayner and script editor Robert Valentine.  Purity Undreamed ended with the “reveal” of the story arc’s villain through slightly messy means, more importantly new companion Hebe Harrison being written out of time as if she has never existed and the implication of a rewritten future timeline where a eugenics regime has deleted any sense of disability.  This implication is dark and executed at least a little messily, simplifying disability quite a bit to physical disabilities.  The third set, Purity Unleashed, creates an interesting setup, it’s the Doctor and Mel searching for the infraction in history that led to Hebe’s disappearance and the further development of Patricia McBride, played by Imogen Stubbs, as Purity.  While the three episodes in this set only work in the confines of this being the third set in this story arc, the timing of this set actually helps lessen some of the issues I had in particular with the previous set.  Purity Undreamed was a set that as the title states is the character of Purity becoming real and not just the biases, conscious and subconscious, of Patricia McBride, yet it ends without much of a sense of the character’s villainy.  Purity Unleashed is quick to rectify that in the two appearances of the character in the back to stories included, making it quite the shame that this wasn’t released soon after Purity Undreamed, the nine month wait not so much keeping tension as just questioning what exactly was going on.

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Review: Torchwood – Lease of Life

Review by Jacob Licklider


Aaron Lamont got his start with Big Finish Productions with the Dark Shadows audio drama The Haunted Refrain, a story set in a house dealing with the destruction of a once happy marriage as someone wastes away and Quentin Collins is trapped on a gramophone record. Lamont’s script is characterised by character drama as someone wastes away, not taking advantage of the life that they are privileged to have. I bring this up because the first story where Lamont steps away from the Dark Shadows range, Torchwood: Lease of Life, plays with a similar theme in an almost more horrific way. The entire conceit is based on bad roommates, something that every adult has experienced in one way or another at some point. The opening of this audio doesn’t even include Owen, this releases lead, it just takes the necessary time to establish the relationships between Ellie, Seren, and Nye, the three flatmates whose flats is a large fixer-upper. Ellie is stuck home with a hangover, being annoyed by Nye who has been blaring rock music while locked in his room, and Seren is just trying to get to her job. These are people who if not stuck in a living situation would probably be close friends, but the flat just doesn’t allow them to really get along and a surprise inspection from the ‘council’ and Owen Harper makes things worse. There is a dangerous mould encroaching on their living space, the landlord is nowhere to be seen, and Ellie’s hangover is only causing problems. The mould, of course, is an alien coming to consume the house through the Rift and essentially the audio transforms into an hour long horror play in a trapped location. Continue reading