Review: Doctor Who – Conflicts of Interest

Review by Jacob Licklider


The three episode format is one that Big Finish Productions has often neglected as a possibility for storytelling.  The Monthly Range in the late 2000s experimented with splitting stories into 1 three part story and a single part story in releases like Exotron, The Wishing Beast, and The Death Collectors, but by the time Season 27’s scripts were adapted for audio, they were all presented as four episode stories.  Now that Big Finish have moved to the box set model of three discs it was quite surprising that it took over a year to reinstate the three part stories with the Fifth Doctor Adventures taking the leap in Conflicts of Interest, still having three discs, but adjusting to this format addresses a major issue the Big Finish box set format has been suffering from.  Three episodes essentially means two 90 minute stories, the episodes reaching approximately 30 minutes apiece, allowing both stories to have the breathing room to really explore the ideas John Dorney and Jonathan Barnes bring to the proceedings.  These are technically both stories that could be told in the 1 hour format, but that extra 30 minutes allows the chance to slow down and broaden the focus in the best way.

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New set photos released from Doctor Who

The BBC has unveiled a new look at “Doctor Who” stars Ncuti Gatwa and Millie Gibson.

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Review: Doctor Who – The Return Of Jo Jones


Review by Cavan Gilbey


Not to sound hyperbolic, but in recent years I have realised the Third Doctor Adventures are my favourite of the solo Classic Doctor ranges, actually of all the solo Doctor ranges now that I think about it. There’s always been an appreciation for interesting slow burn stories, especially more recently with a pair of excellent serials spanning over six and seven episodes respectively. So when this was announced, I was initially very optimistic; who doesn’t want to see Jo get one last bit of reconciliation with her Doctor? But then it was revealed we are getting three hour stories, and my face suddenly looked like I had a dinner plate lodged in my mouth. The hour long stories work fine enough for the New Who Doctors, they were designed to work in that format and thus end up suiting them better. Hell a lot of the Classic Doctor kind of work here, but I think the Third Doctor is by far the least suited overall. If he is the suave spy that he is often characterised as thanks to his frequent conspiracy and mystery based narratives, then surely we need something bigger than hour to get the most out of him. And that is was really hold this boxset back from getting anything higher than a 7/10 for me, I just don’t feel like I get enough out of the concepts presented by the writers here. The scripts are good, but are damaged by having those missing episodes. Which is a shame because this reunion should have felt bigger than it ended up being.

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Review: The Eleventh Doctor Chronicles – All of Time and Space

Review by Jacob Licklider


The second installment in The Eleventh Doctor Chronicles final hurrah for Jacob Dudman’s time portraying the character, All of Time and Space, continues the generic titling while the sets themselves are anything but generic.  This marks the halfway point for the series, with the final two sets coming in late 2023 and early 2024 respectively, and if you’re going in expecting some big revelation as to where the arc is going you may be disappointed.  All of Time and Space instead focuses on exploring the character dynamics between the Eleventh Doctor and Valarie as they continue their travels and come across something that will break that relationship down to an interesting point.  While I will be avoiding larger plot spoilers for this review, as much of the set works if you go in knowing little of the big character defining moments, All of Time and Space is a set that will work at its best if you are listening to it without preconceptions and having heard Geronimo! recently.  If you’ve come to this review to know if it is worth it, it is definitely worth it, it is one of the few recent releases from Big Finish to genuinely return to experimental storytelling with its heaviest focus on character development.

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Review: Ninth Doctor Adventures – Shades of Fear

Review by Cavan Gilbey


It feels like only yesterday when Eccleston joined the team at Big Finish to star in a batch of new adventures, 8 boxsets later and we have reached the end of what we know the company had planned for the Ninth Doctor Adventure range. It’s been a range with some genuinely spectacular stories, reuniting this Doctor with old friends and old enemies in ways that feel new and fresh. There have been some rough patches on the journey to Shades of Fear but with 24 new stories in this series that is only to be expected. This new boxset I think is the most emblematic of the ranges strongest and weakest elements, it has the characteristic inconsistent quality that has been a bit of a blight on the range but the spirit of the era is captured so vividly with the right themes hitting home and the atmosphere fitting really nicely into what RTD helped create back in 2005. Its not the best one we’ve had from the range, but still manages to keep the momentum from previous sets rolling and delivers an all around good experience with Eccleston at the helm.

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Review: The First Doctor Adventures – The Demon Song

Review by Jacob Licklider


Alright, it’s February and Big Finish have released their first Classic Doctor set of the new year after January’s pre-1989 Doctor Who releases were limited to the Audio Novel and the Short Trips release earlier this month.  Okay so The First Doctor Adventures: The Demon Song was initially solicited for release in January, but it was pushed back to February probably due to production delays or time for editing.  If you can’t help, I’m stalling.  The Demon Song and The Incherton Incident make up this set are sadly stories that don’t actually have much connection, just being a two-part story and four-part story that have the same TARDIS team which is thee First Doctor and Dodo, played by Stephen Noonan and Lauren Cornelius, so as such it’s going to be a bit difficult to give the set an overall score, especially since both stories are vastly in terms of what they are attempting to do.  The first feels very modern while the second is one that takes more lengths to imitate the style of a story you would have seen in the 1960s, which makes the lack of connection between the stories feel even more stark as each story serves a very different purpose.

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Review: The Diary of River Song – Friend Of The Family

Review by Cavan Gilbey


River Song has had a bit of a fandom redemption I feel thanks to Big Finish, sure she had a ton of fans thanks to her TV outings (myself included) but the Classic Who fans and those who weren’t massively enamoured with Moffatt’s writing style would probably need a lot of convincing to like Doctor Song. That’s where the Diary of River Song range seems to come in, offering a fun bridging of the worlds of Classic and New Who along with plenty of original stories. I’d heard the second, fifth, and sixth volumes before coming into series 11. I had really positive experiences with the former two but was hugely disappointed by what felt like fanservice for the sake of fanservice in volume 6. But Friend of the Family offers a new avenue for the series; a distinct absence of Doctor Who elements. Previously we’d either have had a prior Doctor, companion or foe but here we have a completely original and stand-alone story which gives River the time to shine she deserves.

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Review: Time War – Cass

Review by Jacob Licklider


What’s always fascinating for a range is what happens when a cast member cannot return for a range.  Time War: Cass is one such release, continuing the Eighth Doctor releases from Time War: Volume Four but without the character of Bliss due to scheduling conflicts with Rakhee Thakrar.  Luckily, unlike the issues that arose with Dark Eyes and the scheduling conflicts Ruth Bradley faced, the setting of Time War: Cass is one where due to the universe being in a constant state of flux due to the Time War.  This is something that the writers of this box set are keenly aware of with each of the three stories featured doing something with the ‘time’ element of the Time War which is already a recipe for success when dealing with this era.  There is a clear reason (or at least an appearance of a reason) for why Bliss isn’t there, though the details of this are not given to the listener partially for intrigue and partially because there is not a guarantee that she will be available to record with Big Finish anytime soon.  Instead this set picks up some time after the cliffhanger ending of Time War: Volume Four with the Doctor traveling with Alex Campbell, once again played by Sonny McGann, with an unspecified amount of time having past and this is an interesting premise since when we last saw Alex he was dead. Continue reading

Review: Class – Secret Diary of a Rhodian Prince

Review by Cavan Gilbey


Big Finish did the impossible; they made Class one of my favourite Doctor Who spin-offs.  Prior to hearing Secret Diary I was well accustomed to the first two volumes of the audio stories set within Coal Hill Academy, and I absolutely adored them and hold them up as a pair of Big Finish’s best New Series era boxsets. They have stories which explore new ideas, really interesting small scale sci-fi threats, and have outstanding character development and characterisation. As of time of writing I am yet to hear the later two series of stories, I have been put off due to the recasts, but the finale of Volume 4 was penned by one Blair Mowat; composer extraordinaire who has done Big Finish’s best musical suites as well as composing the excellent score for Class’ TV series. In recent years he has stepped into the world of writing, first with Queen of Rhodia and now with Secret Diary of a Rhodian Prince. Which, with no word of exaggeration, is the best Class story and an easy early contender for favourite release of 2023.

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Review: Doctor Who – The Dead Star

Review by Jacob Licklider


The Audio Novels range after three releases has taken a very important step. Big Finish Productions has deemed it profitable to publish an audio novel without a returning villain such as the Cybermen or the Daleks. The Dead Star doesn’t have a returning villain and that alone would be enough to get me excited, but then Big Finish made my New Adventures loving heart sing with the triumphant return of Kate Orman to Doctor Who. Orman is perhaps my favorite writer of Doctor Who and for a whole new generation of fans (and several old generations of fans) this will be their introduction to just what she does oh so well, and what an introduction. The Dead Star is going right into new territory for Orman, her first story to feature the Second Doctor and only written because Orman and her husband and frequent collaborator Jonathan Blum were watching the recent animations. While Orman in the behind the scenes doesn’t mention which animation in particular inspired this story, there is a great sense of a direct continuation from The Power of the Daleks as well as The Macra Terror specifically for its aesthetics.

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