Review: Doctor Who – Conflicts of Interest

Review by Jacob Licklider


The three episode format is one that Big Finish Productions has often neglected as a possibility for storytelling.  The Monthly Range in the late 2000s experimented with splitting stories into 1 three part story and a single part story in releases like Exotron, The Wishing Beast, and The Death Collectors, but by the time Season 27’s scripts were adapted for audio, they were all presented as four episode stories.  Now that Big Finish have moved to the box set model of three discs it was quite surprising that it took over a year to reinstate the three part stories with the Fifth Doctor Adventures taking the leap in Conflicts of Interest, still having three discs, but adjusting to this format addresses a major issue the Big Finish box set format has been suffering from.  Three episodes essentially means two 90 minute stories, the episodes reaching approximately 30 minutes apiece, allowing both stories to have the breathing room to really explore the ideas John Dorney and Jonathan Barnes bring to the proceedings.  These are technically both stories that could be told in the 1 hour format, but that extra 30 minutes allows the chance to slow down and broaden the focus in the best way.

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Review: The Diary of River Song – Two Rivers And A Firewall

Review by Jacob Licklider


If there has been a Doctor Who spin-off range from Big Finish Productions that consistently managed good stories while still being very reliant on past pieces of Doctor Who lore, it is The Diary of River Song. Ten series have gone by and only now we have an announcement of a box set with absolutely no returning elements coming out in January 2023. Now luckily the previous nine box sets have had some through line, a story arc or just a simple theme linking all of the stories together, but Two Rivers and a Firewall, the tenth series has a problem, and it’s a big one.

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Review: Doctor Who – The 11th Doctor Chronicles (Volume 2)

Review by Jacob Licklider


The ‘Doctor Chronicles’ is one of those ranges that exists out of necessity, despite what certain corners of social media would have you believe. With the acquisition of the Doctor Who license up to Twice Upon a Time, but only David Tennant officially coming back to the role of the Doctor (and even then not as much as Big Finish would like due to his busy schedule), the types of stories with New Series characters that could be told became limited. Essentially there had to be spin-offs such as Torchwood and The Paternoster Gang, or Short Trips like The Jago and Litefoot Revival. But with The Companion Chronicles being one of Big Finish’s more highly acclaimed ranges, adapting the format to the Ninth through Twelfth Doctors with one narrator and one guest, beginning release in 2017. After one release for each Doctor, the BBC intervened and suggested that the series move away from the initial format and into a full-cast audio format, making this range the only full-cast adventures for the Eleventh and Twelfth Doctors (as Eccleston has returned to the role and Tennant has increased his output). This change begins with The Eleventh Doctor Chronicles: Volume Two which stars Jacob Dudman in the role as the Doctor. While Big Finish use Dudman for the Tenth, Eleventh, and Twelfth Doctors it is actually his Eleventh where his performance excels. Throughout this set he captures the voice of Matt Smith’s portrayal, while adding a depth that many of Smith’s episodes seemed to lack, an emotional core rarely seen during that period of the Moffat era. Each of these stories are set in between The Angels Take Manhattan and The Snowmen, and there is this something that Dudman can coax out of the character, it was seen here and in his cameo in Thin Time/Madquake last year. It is also perhaps important to note that this review is coming from the perspective of someone who is not the biggest fan of the Eleventh Doctor.

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Big Finish Review: Fiesta of the Damned

Review by Doctor Squee (Host of Gallifrey Stands Podcast)


It’s really nice to still see a story come up in any part of the Doctor Who world that is based on real historical events and especially when it’s a part of history that is maybe less well used in modern fiction.

Now when you are dealing with a history based episode you have a few choices. You can go for a straight telling of the events and get the Doctor and companions mixed up in established events, like classic DW story ‘The Romans’. You can create a secret threat to history that the Doctor must defeat to save the timeline a-la ‘The Unquiet Dead’. Or you can add in a supernatural element that the writer makes part of the original events as they did in the ‘Fires of Pompeii’. This story tries to have its cake and eat it too on this front.978-1-78178-891-2

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