Audio Drama

Review: The War Doctor Begins – Battlegrounds

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Review by Jacob Licklider

Perhaps one aspect of The War Doctor Begins I have found myself undervaluing is the format. While the first set is a three episode miniseries about the immediate aftermath of the regeneration of the Eighth Doctor, the second established itself as its own self-contained miniseries, though early in the War Doctor’s life. Battlegrounds, the third set in the series, follows this pattern as well cementing the fact that this range isn’t going to be an actual miniseries, but four sets exploring early parts of the character’s life. This third set has the linking theme of exploring war and the various battlegrounds war is waged upon: physical, mental, and spiritual. Three scripts from three stylistically different writers each tacking a different type of battleground makes The War Doctor Begins: Battlegrounds three episodes with very different tones and a focus on character pieces above everything else which keeps the link strong, but each of the stories can find themselves separate. The other link throughout the stories is the directing from Louise Jameson, who should be singled out for being responsible for how The War Doctor Begins sounds. Her directorial style is distinct and steeps the sets in this almost ethereal atmosphere where things feel ever so slightly out of phase to give the Time War this mythical quality.

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Review: The Ninth Doctor Adventures – Back To Earth

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Review by Jacob Licklider

Old Friends ended the first series of Ninth Doctor Adventures with a genuinely brilliant series finale that felt like a lead in to Rose, something my review of that set had some pushback since it had already been announced that Series 2 would essentially be continuing where Series 1 left off with the Ninth Doctor still travelling alone. Now Series 1 spent quite a bit of time developing the idea that this was one continuous series, including by designing the covers to mimic the single DVD releases of Series 1 of the show. Series 2 seems to be less a full series with a central character arc for the Ninth Doctor and more of a series of themed box sets with new styles of cover art, this first one being from the wonderful Caroline Tankersley, with the theme of going Back to Earth. It’s three stories set at various points in Earth’s history, mainly in the past ranging from the early 17th century to the early 1990s, with one story having some pieces in the modern day, but not really. All three of the authors here do an excellent job of taking their piece of Earth and doing something interesting with it, overcoming my initial hesitation of going into a set not really following up the character development of the Ninth Doctor within the first few minutes of the first story.

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Review: The Companion Chronicles – The Second Doctor (Vol 3)

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Review by Jacob Licklider

The Companion Chronicles have the distinction of being the second longest and consistently running Doctor Who range at Big Finish Productions. They began in 2007 and released several single releases to 2014 before switching to yearly boxsets between 2015 and 2019. A box set was announced for release in June 2020, however, due to the COVID-19 pandemic, The Second Doctor: Volume Three was plagued with production delays, finally having production finish in late 2021 for release in 2022. Among this rumours spread that the Companion Chronicles would be ending with this volume which have not yet been confirmed, though there is some contradictory evidence of actors mentioning recording a release which hasn’t been announced while higher ups mentioning that this would be the final installment in the range.If this truly is to be the final release of the range (and I truly hope it isn’t) it is a stellar release for the range to go out on, finding creative ways to explore the entirety of the Second Doctor’s era and not limit itself to the Companion Chronicles’ two-hander format as it’s rumoured Big Finish will be taking the range towards a more full cast approach if it is to continue.

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Review: Doctor Who – Stranded 4

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Review by Jacob Licklider

Just over one year ago, in March 2021, the Main Range ended from Big Finish Productions as the box set format took root before being firmly established for 2022. Now, one other long running institution from Big Finish Productions is at an end, the 16 part, four disc set, Eighth Doctor miniseries which has been the format of Eighth Doctor releases for nearly a decade. Dark Eyes, Doom Coalition, Ravenous, and Stranded have all been released to acclaim and here we are with Stranded 4, the final set in this style.

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Review: Doctor Who – Mind Of The Hodiac

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Review by Jacob Licklider

There isn’t often the opportunity to see some of the first work of an author that has gone on to make an impact. Robert Jordan and Brandon Sanderson had both early works published in some form (Jordan’s being published by hid wife and Sanderson publishing a first draft as a Kickstarter reward), yet with Big Finish it’s almost surprising that something like Mind of the Hodiac hasn’t happened sooner. Russell T. Davies found the initial script for Part One and storyline for Part Two in a box in 2020 when Emily Cook was doing the Lockdown watch-alongs on Twitter which he wrote at some point between 1986 and 1987 before even making it into TV, the first script he sent to the Doctor Who Production Office which was, of course, rejected. In finding the script, pictures were posted on Twitter of some of the pages as a treat and in Davies’ mind that was the end of that. But then Scott Handcock, director and writer for Big Finish, contacted Davies with Emily Cook in tow as one of the newer producers to acquire a copy of the script (apparently physically and not just scanned into a computer if the behind the scenes interviews are correct in its implication). Continue reading →

Review: The Fourth Doctor Adventures – Solo

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Review by Jacob Licklider

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Audio Review: The Worlds of Blake’s 7 – Bayban the Butcher: Bayban Ascending

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Review by Ian McArdell

Bayban Ascending is the latest tie-in audiobook release for The Worlds of Blake’s 7, Big Finish’s spin-off range exploring wider elements in the Federation universe. While born of necessity, due to the sad passing of a number of core cast members, the range has opened up all sorts of interesting stories away from the Liberator.978-1-83868-607

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Review: Doctor Who – The 8th Of March: Protectors of Time

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Review by Jacob Licklider

The Eighth of March was a special release on International Women’s Day 2019 to celebrate the female characters of Doctor Who, essentially serving as example episodes for various series from (mostly new) female writers: The Paternoster Gang, The Diary of River Song, UNIT, and a story set in the Virgin New Adventures. Here we are, three years later and for International Women’s Day 2022, a three disc follow up has been released in the form of The Eighth of March: Prisoners of Time, exploring Lady Christina, Jenny: The Doctor’s Daughter, a Romana spin-off, and a tribute to The Sarah Jane Adventures with two new writers, Abigail Burdess and Nina Millns and an opening story from Lizbeth Myles (who has been contributing to Big Finish since 2014). Like the previous box set, this is an incredibly versatile set as the only real brief is that there is a female lead and it is set in the Doctor Who universe, giving the writers free rein on what they wish to play with. There also are two female directors assigned to this release, Louise Jameson tackling the first episode while Helen Goldwyn directs the other two, both bringing their distinct style to give each story its own flair.

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Audio Review: Space 1999 Volume 2 – Earthbound

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Review by Ian McArdell

Earthbound is the second volume of regular adventures for Big Finish’s reimagining of Space: 1999. Striking a happy balance between old and new, it provides an original character-based adventure, plus a smart re-working of a television which turns it into a high-stakes two-parter.

Mooncatcher

First up, writer Marc Platt provides an original episode. It begins with the first child being born on Moonbase Alpha. While most are thrilled, Paul Morrow is concerned about the age gap between the baby and the next youngest person on the base. As Commissioner Simmons comments, they’re no longer a base and now a colony.

Celebrations are disrupted by a transmission, which is soon followed by many others. Despite the fact that they sound like either a plea for help or a warning, Morrow and Professor Bergman are keen to investigate – a mission agreed to despite Commander Koenig’s misgivings.

What follows is a story of delusions and dreams, one which explores the backstories of both Morrow and Bergman as they find themselves pulled into the heart of the mysterious ‘Delta One’ object. It’s also a cautionary tale for Professor Bergman’s boundless curiosity as their discovery comes to endanger the whole base.

This story is a terrific showcase for Glen McCready as the unlucky-in-love Paul Morrow, with Big Finish stalwart Jane Slavin guesting as his fiancé Jeanette. Plus, of course, the delightful enthusiast that is Clive Hayward’s Professor Victor Bergman.

Earthbound / Journey’s End

Earthbound adapts the television episode of the same title, expanding it across two episodes, with the second part named Journey’s End.

While on the television series, Commissioner Simmons was purely a guest role for Roy Dotrice, who played the character in two episodes, on audio the role has been expanded. Timothy Bentinck’s superb iteration of the character has been a thorn in the side of Koenig and his crew, with events leading to this story.

Using all his political acumen, Simmons effectively stages a coup – demanding, with the base’s armed security personnel on his side, that the whole population of Alpha should consider his assertion that their mission should focus on getting back to Earth, rather than on looking for a new home among the stars. In order to diffuse the situation, Koenig agrees to put the question to a vote.

Despite all the logical arguments to the contrary, such as whether the Earth survived the Moon’s departure, the impossibility of creating a faster-than-light drive and the strain it would put on an already stretched crew, Simmons proceeds to run rings around Koenig, Dr Russell and Professor Bergman. Playing on a heady mix of cryogenics and hope, he (narrowly) wins the argument.

The Brexit parallels are writ large here, unsubtly but in entertaining fashion, by writers Iain Meadows (who is also the sound designer) and Nicholas Briggs (who also directs and script edits). Weeks in, the lack of delivery of Simmons’ promises become a problem for his followers; the ‘sunlight uplands’ for Alpha include accusations and threats of physical violence. It’s into this environment that a Kaldosian ship arrives, bound for Earth and with the potential to take someone with them.

With a developed sub-plot beefing up Dr Russell’s connection with the Kaldosian Captain Zantor (Barnaby Kay), terrific head-to-heads between Simmons and Koenig, this is an impressive reimagining of Earthbound. It cleverly plays with the expectations for those familiar with the television series, but in a way that I imagine is not at all off-putting for those coming to it fresh.

In Summary

In another satisfying boxset, the audio version of Space: 1999 again benefits from the pacer treatment that this modern adaptation provides; the 1970s show could be glacial at times. As ever, Iain Meadow’s sound design in on point to evoke the feel of the series and Joe Kraemer provides an absorbing score. Heightened emotions form an essential component too (longing looks are a tough sell on audio) as the attraction between John Koenig (Mark Bonnar) and Helena Russell (Maria Teresa Creasey) is tackled head on.

Given where the story concludes, it seems certain there are plans for more. While I’m being deliberately circumspect to preserve the surprises, the decisions taken here open up the story in interesting ways so I really hope so.

If you haven’t jumped on board yet, now’s the time – this Moon is really going places!

Space:1999 Volume 2: Earthbound is available on CD and download from Big Finish.
Order on CD from Forbidden Planet

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Review: UNIT Nemesis – Agents of the Vulpreen

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Review by Jacob Licklider

There is something interesting about the way UNIT: Nemesis has been developing. The first set was quite a nice surprise with an introduction to the basic players and what makes them work. It was also good to see Kate and Osgood given more in depth characterisation than anything that Steven Moffat gave them. UNIT Nemesis: Agents of the Vulpreen moves beyond setting the stage and characters, giving us a look into what the four set miniseries is actually trying to accomplish and the story it is trying to tell. This is essentially UNIT’s chance to prove itself at thwarting a large alien conspiracy to invade the Earth, this set seeing the preliminary invasion being the main thrust of the story. It picks up from Between Two Worlds and explores what the ark is, what the Eleven was doing, and what happens to the captured Jacqui McGee who almost immediately returns in the first episode. It’s somehow a more focused set than Between Two Worlds as well, with only one episode feeling as if it is more of a diversion from what the set as a whole is attempting to accomplish for the furthering of the Nemesis story arc. The nemesis of the title is heavily implied to be the Eleven, who has his presence somehow increased here despite being in quite a lot of the first set.

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