Review: Doctor Who Once and Future – Past Lives

Review by Jacob Licklider


Mild spoilers

Let’s take a moment to discuss integrating a theme into a story and how an author’s intent may perhaps become muddled by a production. Once and Future is the overarching name given to Big Finish Productions’ 60th Anniversary miniseries, planning to release monthly installments until the anniversary month and a coda in 2024. Like all anniversary specials the announcement came with a slew of guest stars and returning characters, with the premise being some incarnation of the Doctor has been attacked and is degenerating into previous incarnations of themself. This is the overarching plot of the miniseries, established at the start of Past Lives, Robert Valentine’s introductory story.


With the title and behind the scenes interviews, Valentine lays out this idea about anti-nostalgia and the pain of nostalgia, which is a laudable idea to inject into an anniversary story, especially one for a franchise that has been going for 60 years and shows no signs of stopping. It is especially prescient for an audio drama which is supplemental to the main show and whose company has had criticisms for an over reliance on nostalgia in recent years to stay in business.

This could have been an interesting examination of the need to keep referencing things and drawing people in as Valentine clearly intended, however, Past Lives just doesn’t do anything to explore those themes in its hour-long runtime. There are hints, Sarah Jane, played by Sadie Miller, is brought in right at the end of The Hand of Fear and the UNIT characters of Kate Stewart and Petronella Osgood, played by Jemma Redgrave and Ingrid Oliver respectively, right before The Day of the Doctor, is a clear choice to parallel characters from after and before their involvement with the Doctor proper (though Kate had appeared in The Power of Three). The Meddling Monk being the antagonist of the story, played by Rufus Hound, also could have been a larger presence of preserving some sense of nostalgia but the script never crystalizes any of its ideas. As it stands, the plot of Past Lives is actually quite condensed, the opening and conclusion being dedicated to introducing the central idea and mystery box of Once and Future’s arc which means that Valentine only gets about 40 minutes to actually tell his story from front to back. A lot of the introduction feels incredibly rushed, with points where it feels as if Helen Goldwyn in the director’s seat has realized how tight the script needs to be to fit in the CD time limit and has some scenes just move quick. The recreation of the end of The Hand of Fear is perhaps the biggest example of this, Sadie Miller almost rushing through her lines before she is brought into the story. The conclusion is also just a lead in to the fact that the Doctor, played by Tom Baker here, is changing his appearance again and going off to find his daughter.

When the story is actually dealing with the Meddling Monk and the Hyreth invaders, crocodilian invaders whose leader is voiced by Ewan Bailey with aplomb, there’s a pretty fun story to be had there. Okay so it’s a bit standard but it genuinely feels like Valentine had a much bigger scope story to tell, but having only an hour means that a of the five major players of the Doctor, Sarah Jane, the Monk, Kate, and Osgood are competing for time in the spotlight while also exploring a new species of alien invaders and setting up a mystery box. The resolution of the story is great, with the Hyreth turning themselves into UNIT which indicates maybe there’s hope for peaceful existence with aliens which is nice. The downfall of the Hyreth feels like the point where Valentine meant to explore the idea of holding onto the past, but it just doesn’t get enough time to shine. Past Lives as a story is a perfectly fine story on its own, but as the beginning of a story arc it strays far too much into just setting up a basic premise, when more time should have been given to Valentine to actually tell the story he wanted to tell and expand on the themes that suffer from only being a small thread in the corner of the story. 5/10.


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Big Finish announce eight-part multi-Doctor audio drama series celebrating the 60th anniversary of Doctor Who

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Review: Doctor Who Third Doctor Adventures – Kaleidoscope

Review by Jacob Licklider


Six-part Doctor Who serials are often particular favourites of mine, simply because in storytelling there is quite a lot you can do in six episodes.  The 1970s revolutionised the six-parter by essentially dividing them into a four part story and a two part story which I have discussed at length on the Internet before because it allows for more exploration of characters and a plot that needs to be able to go through the length with at least one big twist at a point in the story to send things off in a different direction.  Big Finish Productions have done six-part stories before, ‘The Next Life‘ and ‘The Game‘ were the earliest, and several of the Lost Stories range were allotted six episodes as that is how those scripts were pitched and often written which worked especially well for stories like ‘Farewell, Great Macedon‘ and ‘Lords of the Red Planet‘.  This year they’ve dipped their toes into a single seven part story with The Annihilators which I enjoyed and reviewed, but as the rest of the Doctors got two box sets, the second set for the Third Doctor continues the trend of longer stories with a single six part adventure set during the middle of Season 11 dealing with some of that season’s major themes written with a more modern sensibility from Alan Barnes.  Kaleidoscope at one point directly references similarities to ‘Invasion of the Dinosaurs‘ and while there isn’t Malcolm Hulke’s ecological message, it does deal heavily with governmental conspiracy and how the 1970s Cold War mixed with pop culture.

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Review: Doctor Who – The 8th Of March: Protectors of Time

Review by Jacob Licklider


The Eighth of March was a special release on International Women’s Day 2019 to celebrate the female characters of Doctor Who, essentially serving as example episodes for various series from (mostly new) female writers: The Paternoster Gang, The Diary of River Song, UNIT, and a story set in the Virgin New Adventures. Here we are, three years later and for International Women’s Day 2022, a three disc follow up has been released in the form of The Eighth of March: Prisoners of Time, exploring Lady Christina, Jenny: The Doctor’s Daughter, a Romana spin-off, and a tribute to The Sarah Jane Adventures with two new writers, Abigail Burdess and Nina Millns and an opening story from Lizbeth Myles (who has been contributing to Big Finish since 2014). Like the previous box set, this is an incredibly versatile set as the only real brief is that there is a female lead and it is set in the Doctor Who universe, giving the writers free rein on what they wish to play with. There also are two female directors assigned to this release, Louise Jameson tackling the first episode while Helen Goldwyn directs the other two, both bringing their distinct style to give each story its own flair.

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Review: The Ninth Doctor Adventures – Old Friends

Review by Jacob Licklider


This has been a review that I’ve let percolate in my mind for a few days. The first season of The Ninth Doctor Adventures has come to a close in a perfect parallel to Series 1 and building from genuinely humble beginnings. It is also quite difficult to discuss as it’s serving as a prequel to Series 1, ending with Old Friends implying a lead into Rose. This along with Lost Warriors, and to a lesser extent Respond to All Calls, have been an examination of the Ninth Doctor’s trauma along with other characters he meets on his lonely travels. Old Friends is a contemplative box set with two stories, a single hour long episode and one two episode serial, both parallels to Boom Town and Bad Wolf/The Parting of the Ways. This has been a long time coming and is honestly an odd box set to review, because it’s a box set that almost blind sided me with what it was doing and how things ended up the way they were. The covers of the sets have been mimicking the four individual releases of Series 1, from blue to red to green to purple for the finale. This ended up being an interesting example of priming listeners for what exactly to expect with these sets.

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River Song meets the Third Doctor

Tim Treloar’s Third Doctor and Alex Kingston’s Professor River Song are colliding in a brand new box set of adventures from Big Finish.

River-Song-New-Recruit-Doctor


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Review: The Fourth Doctor Adventures Series 10 (Vol 2)

Review by Michael Goleniewski

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Review: The 8th Doctor – Time War (Vol 4)

Review by Jacob Licklider


The Eighth Doctor: Time War was announced by Big Finish Productions as a four box set prequel series to Big Finish’s War Doctor range in 2017 after the passing of John Hurt. It is now 2020 and the miniseries is coming to an end with Time War: Volume Four which is incredibly fitting as the world has gone into lockdown, much like Gallifrey has become at this point in this set where the Time War is over after the events of Time War: Volume Three. Continue reading

Audio Review: Star Cops – Mars (Part 2)

Review by Ian McArdell


Mars 2, the latest Star Cops audio release, concludes the current storyline for the International Space Police Force. Based on Chris Boucher’s short-lived 1987 television series, this audio drama stars David Calder as Commander Nathan Spring, a canny copper determined to build a presence for law and order in orbit.

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Review: Missy – Series 2

Review by Jacob Licklider


One of Big Finish Productions’ sleeper hits of 2019 was February’s Missy box set starring Michelle Gomez as Missy on her own causing mayhem and murder throughout the universe. Gomez made for an excellent lead and the stories brought in several different types of stories from a Mary Poppins style satire, to a film noir by Nev Fountain, and an encounter with Rufus Hound’s Meddling Monk. The premises and possibilities for storytelling warranted the set to become a range as Missy: Series 2 becomes Big Finish Productions most recent release; this time mixing in two sequels to the first set and two original stories, from a set of four authors. Each story has a different flair and remains self-contained from the others; allowing new viewers to pick this set up as their introduction to the range.

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Review: Doctor Who – Subterfuge

Review by Jacob Licklider


Helen Goldwyn writing a Doctor Who story set in World War II is an excellent pitch for Big Finish Productions to take up.  Goldwyn has extensive acting and directing experience, being a part of Big Finish Productions since the very beginning with her first work being in The Spectre of Lanyon Moor and The Secret of Cassandra.  Most recently she showed an incredible understanding of wartime as one of four writers on Louise Jameson’s Big Finish Original ATA Girl.  Subterfuge takes place at the tail end of World War II and deals with Winston Churchill’s campaign as leader of the Conservative Party and eventual loss to Clement Attlee, the Labour leader of the time who took the position of Prime Minister.  Ian McNeice returns to the role of Winston Churchill and is brought into conflict with Sylvester McCoy’s Seventh Doctor and Rufus Hound’s Meddling Monk.  Subterfuge juggles two distinct storyline tied into the campaign: first is the Monk’s attempts to get Churchill reelected and the second is a series of terrorist attacks by a group of aliens and spies that the Doctor has to find a solution to while dealing with the Monk’s meddling.

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