UNIT

Review: Doctor Who Once and Future – Past Lives

Posted on by indiemacuser

Review by Jacob Licklider

Mild spoilers

Let’s take a moment to discuss integrating a theme into a story and how an author’s intent may perhaps become muddled by a production. Once and Future is the overarching name given to Big Finish Productions’ 60th Anniversary miniseries, planning to release monthly installments until the anniversary month and a coda in 2024. Like all anniversary specials the announcement came with a slew of guest stars and returning characters, with the premise being some incarnation of the Doctor has been attacked and is degenerating into previous incarnations of themself. This is the overarching plot of the miniseries, established at the start of Past Lives, Robert Valentine’s introductory story.

With the title and behind the scenes interviews, Valentine lays out this idea about anti-nostalgia and the pain of nostalgia, which is a laudable idea to inject into an anniversary story, especially one for a franchise that has been going for 60 years and shows no signs of stopping. It is especially prescient for an audio drama which is supplemental to the main show and whose company has had criticisms for an over reliance on nostalgia in recent years to stay in business.

This could have been an interesting examination of the need to keep referencing things and drawing people in as Valentine clearly intended, however, Past Lives just doesn’t do anything to explore those themes in its hour-long runtime. There are hints, Sarah Jane, played by Sadie Miller, is brought in right at the end of The Hand of Fear and the UNIT characters of Kate Stewart and Petronella Osgood, played by Jemma Redgrave and Ingrid Oliver respectively, right before The Day of the Doctor, is a clear choice to parallel characters from after and before their involvement with the Doctor proper (though Kate had appeared in The Power of Three). The Meddling Monk being the antagonist of the story, played by Rufus Hound, also could have been a larger presence of preserving some sense of nostalgia but the script never crystalizes any of its ideas. As it stands, the plot of Past Lives is actually quite condensed, the opening and conclusion being dedicated to introducing the central idea and mystery box of Once and Future’s arc which means that Valentine only gets about 40 minutes to actually tell his story from front to back. A lot of the introduction feels incredibly rushed, with points where it feels as if Helen Goldwyn in the director’s seat has realized how tight the script needs to be to fit in the CD time limit and has some scenes just move quick. The recreation of the end of The Hand of Fear is perhaps the biggest example of this, Sadie Miller almost rushing through her lines before she is brought into the story. The conclusion is also just a lead in to the fact that the Doctor, played by Tom Baker here, is changing his appearance again and going off to find his daughter.

When the story is actually dealing with the Meddling Monk and the Hyreth invaders, crocodilian invaders whose leader is voiced by Ewan Bailey with aplomb, there’s a pretty fun story to be had there. Okay so it’s a bit standard but it genuinely feels like Valentine had a much bigger scope story to tell, but having only an hour means that a of the five major players of the Doctor, Sarah Jane, the Monk, Kate, and Osgood are competing for time in the spotlight while also exploring a new species of alien invaders and setting up a mystery box. The resolution of the story is great, with the Hyreth turning themselves into UNIT which indicates maybe there’s hope for peaceful existence with aliens which is nice. The downfall of the Hyreth feels like the point where Valentine meant to explore the idea of holding onto the past, but it just doesn’t get enough time to shine. Past Lives as a story is a perfectly fine story on its own, but as the beginning of a story arc it strays far too much into just setting up a basic premise, when more time should have been given to Valentine to actually tell the story he wanted to tell and expand on the themes that suffer from only being a small thread in the corner of the story. 5/10.

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Big Finish announce eight-part multi-Doctor audio drama series celebrating the 60th anniversary of Doctor Who

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Review: Unit – Brave New World 2 – Visitants

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Review by Jacob Licklider

Perhaps the saddest thing about UNIT: Brave New World is that it is only two box sets long and is currently the only thing announced to use this particular UNIT team.  Seabird One was already an excellent set and start to the miniseries bringing back Angela Bruce’s Winifred Bambera, but it’s up to Visitants, the second set, to take all the open threads and tie them up.  The miniseries is one that genuinely feels different from the other Big Finish ranges, taking what Battlefield started bringing in a new cast of characters that through the great script editing from Robert Valentine and brilliant direction from Scott Handcock.  Producer Emily Cook has also really gotten to come into her own in her role as this is a range that is essentially all her own.

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Review: Unit Nemesis – Objective: Earth

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Review by Jacob Licklider

As Big Finish retired their 16 episode miniseries for the Eighth Doctor, late 2021 saw the start of UNIT: Nemesis, a revival of their New Series UNIT range specifically chronicling an escalating threat to the planet Earth in the present day. Between Two Worlds began the miniseries by setting up the threat of the Eleven and the arches, Agents of the Vulpreen chronicled the first bouts of violence between Earth and the Vulpreen, and now we have Objective: Earth setting up the conflict for a final resolution in the fourth set.

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Review: Doctor Who Third Doctor Adventures – Kaleidoscope

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Review by Jacob Licklider

Six-part Doctor Who serials are often particular favourites of mine, simply because in storytelling there is quite a lot you can do in six episodes.  The 1970s revolutionised the six-parter by essentially dividing them into a four part story and a two part story which I have discussed at length on the Internet before because it allows for more exploration of characters and a plot that needs to be able to go through the length with at least one big twist at a point in the story to send things off in a different direction.  Big Finish Productions have done six-part stories before, ‘The Next Life‘ and ‘The Game‘ were the earliest, and several of the Lost Stories range were allotted six episodes as that is how those scripts were pitched and often written which worked especially well for stories like ‘Farewell, Great Macedon‘ and ‘Lords of the Red Planet‘.  This year they’ve dipped their toes into a single seven part story with The Annihilators which I enjoyed and reviewed, but as the rest of the Doctors got two box sets, the second set for the Third Doctor continues the trend of longer stories with a single six part adventure set during the middle of Season 11 dealing with some of that season’s major themes written with a more modern sensibility from Alan Barnes.  Kaleidoscope at one point directly references similarities to ‘Invasion of the Dinosaurs‘ and while there isn’t Malcolm Hulke’s ecological message, it does deal heavily with governmental conspiracy and how the 1970s Cold War mixed with pop culture.

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Review: UNIT – Brave New World 1 – Seabird One

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Review by Jacob Licklider

Brigadier Winifred Bambera is a Doctor Who character who is interesting. Appearing on television in Battlefield played by the wonderful Angela Bruce and created by Ben Aaronovitch, had the show lasted past Season 26 there was a good chance she would reappear especially since Andrew Cartmel had what would become the ‘lost story’ Animal in his head as a story at the time. So it became puzzling that in the Virgin New Adventures, while UNIT featured heavily especially in books like Blood Heat, No Future, and Eternity Weeps, Bambera herself would only appear twice, in Head Games and The Dying Days as cameos. The UNIT stories of the New Adventures were more concerned with deconstructing the UNIT family and the Pertwee era as it was the era many of the writers grew up with and were fond of. She had a similar cameo in the novelisation of Downtime by Marc Platt, but after that didn’t appear in any of the novels by BBC Books. Then in 1999 Big Finish acquired the Doctor Who license and begun their takeover of Doctor Who dominating the early 2000s until the revival, yet Bambera only appeared in Animal released in 2011. So it became a surprise with the success of the UNIT spin-off, Angela Bruce was brought back in the second set of UNIT: Nemesis as a backdoor pilot for UNIT: Brave New World, a currently two set release giving Bambera her own UNIT team in the late 1990s post-Battlefield, focusing on incursions from Earth itself and not the standard alien invasions.

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Review: UNIT Nemesis – Agents of the Vulpreen

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Review by Jacob Licklider

There is something interesting about the way UNIT: Nemesis has been developing. The first set was quite a nice surprise with an introduction to the basic players and what makes them work. It was also good to see Kate and Osgood given more in depth characterisation than anything that Steven Moffat gave them. UNIT Nemesis: Agents of the Vulpreen moves beyond setting the stage and characters, giving us a look into what the four set miniseries is actually trying to accomplish and the story it is trying to tell. This is essentially UNIT’s chance to prove itself at thwarting a large alien conspiracy to invade the Earth, this set seeing the preliminary invasion being the main thrust of the story. It picks up from Between Two Worlds and explores what the ark is, what the Eleven was doing, and what happens to the captured Jacqui McGee who almost immediately returns in the first episode. It’s somehow a more focused set than Between Two Worlds as well, with only one episode feeling as if it is more of a diversion from what the set as a whole is attempting to accomplish for the furthering of the Nemesis story arc. The nemesis of the title is heavily implied to be the Eleven, who has his presence somehow increased here despite being in quite a lot of the first set.

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Review: UNIT Nemesis – Between Two Worlds

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Review by Jacob Licklider

The original UNIT mini-series from Big Finish Productions brought back Nicholas Courtney as Brigadier Lethbridge-Stewart, but only for its opening and closing instalments and is generally regarded as a weak miniseries.  It would be shelved and not picked up again bar UNIT: Dominion in 2012, but 2015 saw a long running revival bringing for the first time New Series elements were allowed to be used.  The series ran for eight box sets from 2015-2019, ending, but being revived this month just a week before Kate Stewart returned to televised Doctor Who, Big Finish released the first of a four set miniseries subtitled Nemesis, beginning with Between Two Worlds, where the UNIT has to contend with the Eleven, trapped on an alien planet and scheming to gain power on Earth.  He is the through line for these four stories and Mark Bonnar plays the role brilliantly throughout, the set using the time to flesh out the different personalities of the Eleven with many of them getting to shine throughout.  Bonnar is a constant undercurrent providing a clear and present alien danger for UNIT to face, moving away from an older perception of UNIT as only fit to deal with threats like the Bandrils. Continue reading →

UNIT character to return to Doctor Who: Flux

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Following the shocking ending of Village of the Angels, the preview trailer for fifth episode has revealed a returning fan favourite character.

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Review – The Diary of River Song – New Recruit

Posted on by indiemacuser

Review by Jacob Licklider

October was already set to be a celebration of the Third Doctor era, bringing out the second Third Doctor Adventures set this year, but July saw the announcement of The Diary of River Song: New Recruit, sending River back to Season 7 with the Doctor travelling Europe and Liz and the Brigadier left back at UNIT. Of course, Tim Treloar reprises his role of the Third Doctor for the final story, but this is a celebration of the early years of the Pertwee era with a twist, putting River in the role of the Doctor and Liz as a companion making for a very different dynamic. Each of the four stories pastiches a Pertwee style story with the final one in particular providing one last twist for a Pertwee story which Big Finish have been unable to do until very recently which ends the set with one very pleasant twist. This twist is one which listeners would not want to have spoiled, and the TARDIS Wiki articles for these stories do provide spoilers so I implore potential listeners to avoid looking anything up about these stories. This review will only include light spoilers for plot details, but none of the big twists will be spoiled.

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Review: Doctor Who – Stranded 2

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Review by Jacob Licklider

Stranding the Eighth Doctor on Earth was by no means a new idea, it had been done in the Eighth Doctor Adventures novels, but making him a landlord with Liv and Helen made for an interesting change. Stranded 1 was released way back in June 2020 when we were all in lockdown and the future releases were sadly delayed, with Stranded 2 moving from its original November release date to March 2021. Stranded 1 was one of those releases while where I enjoyed it quite a bit, I felt slightly underwhelmed by the premise as it was very much Doctor Who does a soap opera, but sitting down to listen to Stranded 2 made me acutely aware of how I have missed this ensemble cast and their interactions. Like Jon Pertwee’s second season bringing some time travel back, Stranded 2 still contains four earthbound stories, it is the first to actually bring these new companions and residents of Baker Street into the TARDIS and exploring their history and interpersonal relationships. This premise allows it to stand out from the first set and the Pertwee era in a number of ways which makes it incredibly fun. As Stranded 2 is still kind of like Doctor Who does a soap opera, this review may contain minor spoilers for certain plot developments in the characters. This review was also written with each section right after listening, so each section may not reflect how any story arcs happen.

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