Lizzie Hopley

Review: The Ninth Doctor Adventures – Star-Crossed

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Review by Cavan Gilbey

This meeting feels inevitable.

At some point we had to see Nine meet his wife, all the other Doctors have done it across the years and finally it is Eccleston’s turn to play alongside Kingston. There was a huge risk in doing this boxset, because Nine isn’t a Doctor with a romantic sensibility prior to Rose, at points in these audios being coded as a-romantic. Star-Crossed could have felt like forcing two characters together, just having them meet for the sake of finally getting round to having them all have met River. But it crucially isn’t.  Star-Crossed is a boxset worth making, with a relationship well worth exploring and tinged with tragedy and melodrama. The three stories in here feel like they have been crafted with care to show how the Doctor isn’t always someone River can love, that they aren’t always the idealised image River has in her diary. Dorney, Hopley and Foley have gifted us with three unique stories that all paint a fascinating picture of this brief meeting of the old married couple.

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Review: Rose Tyler – The Dimension Cannon 3 -Trapped

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Review by Cavan Gilbey

When I reviewed the previous set in this series, I’m fairly sure I called it my favourite release from Big Finish of 2022. It was a fantastic set of really well explored ethical dilemmas in increasingly creative settings, with some of the best character work the company has put out in recent years. Naturally I was very excited to hear this third, and I assume final, set from the series. There’s been a bit of a departure from the episodic formula of the previous two sets, now choosing to tell a serialised story with Rose and new companion Danni (played by Em Thane) trying to find a way to get Rose back home and escape the Anti-life that is ravaging Danni’s universe. Now was this as good as that second set? Yes, and it might even be better in quite a few regards.

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Review: Doom’s Day – Dying Hours

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Review by Cavan Gilbey

 

The Doom’s Day event is a weird one. The last time we have a multimedia event like this was Time Lord Victorious, a story which didn’t do much to separate itself a lot of the Time War media which had come out around the event. But some of the stories stood out as being pretty good on their own, namely those two Master starring Short Trips and Genetics of the Daleks which worked because of how standalone they were. Dying Hours feels like it really needs the prior hours of the story to fully appreciate what was going one, especially in the final story. The problem is most people will do what I do and listen to this in isolation because these multimedia events always have a high buy in price. It’s a lot easier to just buy this one boxset than all the linking comics, DWM strips, novels and BBC Audio releases. So I want you to keep that in mind, I haven’t heard anything else from Doom’s Day. It might shock you to hear that this boxset is actually quite good.

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Review: The Diary of River Song – The Orphan Quartet

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Review by Cavan Gilbey

I think we all knew that this series couldn’t last forever but seeing it come to an end still feels a bit surreal. The Diary of River Song has been one of my favourite Big Finish spin-off series, actually doing the impossible job of getting me to really like River Song; a character I ended up loathing on television by the time she was playing a prominent role in the Matt Smith era. But the The Orphan Quartet feels like an appropriate end, especially with how each writer uses the theme of grief and acceptance to explore River finally coming to terms with losing her husband and parents. I don’t think this is by any means the most consistent, or even best boxset in the series, but it certainly feels like the most appropriate way to send of River Song’s solo series. I expect we’ll see her again in the future, but for now this is the end.

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Review: Doctor Who – The Return Of Jo Jones

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Review by Cavan Gilbey

Not to sound hyperbolic, but in recent years I have realised the Third Doctor Adventures are my favourite of the solo Classic Doctor ranges, actually of all the solo Doctor ranges now that I think about it. There’s always been an appreciation for interesting slow burn stories, especially more recently with a pair of excellent serials spanning over six and seven episodes respectively. So when this was announced, I was initially very optimistic; who doesn’t want to see Jo get one last bit of reconciliation with her Doctor? But then it was revealed we are getting three hour stories, and my face suddenly looked like I had a dinner plate lodged in my mouth. The hour long stories work fine enough for the New Who Doctors, they were designed to work in that format and thus end up suiting them better. Hell a lot of the Classic Doctor kind of work here, but I think the Third Doctor is by far the least suited overall. If he is the suave spy that he is often characterised as thanks to his frequent conspiracy and mystery based narratives, then surely we need something bigger than hour to get the most out of him. And that is was really hold this boxset back from getting anything higher than a 7/10 for me, I just don’t feel like I get enough out of the concepts presented by the writers here. The scripts are good, but are damaged by having those missing episodes. Which is a shame because this reunion should have felt bigger than it ended up being.

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Review: Ninth Doctor Adventures – Shades of Fear

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Review by Cavan Gilbey

It feels like only yesterday when Eccleston joined the team at Big Finish to star in a batch of new adventures, 8 boxsets later and we have reached the end of what we know the company had planned for the Ninth Doctor Adventure range. It’s been a range with some genuinely spectacular stories, reuniting this Doctor with old friends and old enemies in ways that feel new and fresh. There have been some rough patches on the journey to Shades of Fear but with 24 new stories in this series that is only to be expected. This new boxset I think is the most emblematic of the ranges strongest and weakest elements, it has the characteristic inconsistent quality that has been a bit of a blight on the range but the spirit of the era is captured so vividly with the right themes hitting home and the atmosphere fitting really nicely into what RTD helped create back in 2005. Its not the best one we’ve had from the range, but still manages to keep the momentum from previous sets rolling and delivers an all around good experience with Eccleston at the helm.

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Review: The War Master – Escape From Reality

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Review by Cavan Gilbey

The War Master range has easily become one of Big Finish’s finest spin-offs, certainly one the most popular at any rate. But it may shock you to hear that prior to this boxset I had never heard any of Jacobi’s audio boxsets. I had listened to the War Master’s adventure in River Song’s audio series, and really loved it and the characterisation of this particular incarnation of the character but I never went on to get any of his solo outings. But that all changed with Escape From Reality, which I absolutely had to hear due to it being a spiritual successor to The Mind Robber from Troughton’s era of the TV show which happens to be my favourite all time Doctor Who television story. Getting to see the Land of Fiction become corrupted by an evil presence was always going to be interesting, the fact that it got to be Jacobi’s Master is an added bonus. 

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Review: Unit – Brave New World 2 – Visitants

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Review by Jacob Licklider

Perhaps the saddest thing about UNIT: Brave New World is that it is only two box sets long and is currently the only thing announced to use this particular UNIT team.  Seabird One was already an excellent set and start to the miniseries bringing back Angela Bruce’s Winifred Bambera, but it’s up to Visitants, the second set, to take all the open threads and tie them up.  The miniseries is one that genuinely feels different from the other Big Finish ranges, taking what Battlefield started bringing in a new cast of characters that through the great script editing from Robert Valentine and brilliant direction from Scott Handcock.  Producer Emily Cook has also really gotten to come into her own in her role as this is a range that is essentially all her own.

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Review: Doctor of War – Destiny

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Review by Jacob Licklider

Doctor of War: Genesis was the first of a surprise two release miniseries reviving the Doctor Who: Unbound range by giving listeners a chance to explore essentially one aspect of the Time War that the normal Doctor Who ranges either couldn’t do or just haven’t done. The entire idea is that the timeline is rewritten at the “Do I have the right?” speech in Genesis of the Daleks, Sarah Jane and Harry are killed, and the Doctor regenerates into a fifth incarnation played by Colin Baker as reality fractures. Doctor of War: Destiny continues from Doctor of War: Genesis in three separate stories that on the whole does something that the idea of Doctor of War could have become if it were a bit more self-indulgent in retelling classic Doctor Who stories in this new timeline. Doctor of War: Genesis really only did that with the first few scenes to show where the timeline diverged while taking some ideas from other stories but not just remaking them, Doctor of War: Destiny opens and closes with two stories that do takes on classics with the middle story not quite being filler, but being a story to do world-building with the universe and playing around with the Time War at a conceptual level and how changing time can affect a civilisation. What’s especially interesting is this is a set that wraps up the story fairly completely, there is a post-credits sequence that implies it’s possible for this Doctor of War series to continue, but the arc itself is basically over and the threads have found their endings.

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Review: Tenth Doctor – Classic Companions

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Review by Cavan Gilbey

Companions become just as much of a friend to the audience as they do to the Doctor, so seeing them return by having them reunited with Doctor after ages can be really refreshing and rewarding. However this concept is only going to really work if we have actually spent some time away from those characters, which with Big Finish is nigh on impossible because every companion is omnipresent there and you can find a new Peri audio just as much as you can a new Jamie story. Tegan and Ace returning to TV feels significant since they’ve not been seen for ages, but we have heard so many extended adventures with them so having them meet a later Doctor on audio doesn’t hit that spot. This is where we come to the main issue with Tenth Doctor, Classic Companions; it’s too much of a gimmick. Sure Classic Doctors, New Monsters is a gimmick but you can understand it more with the monsters than you can with the companions. This set feels like it exists solely to give Ten some stories with older companions as opposed to crafting interesting stories based around the way their relationships have changed, which doesn’t exactly make this an enticing listen.
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