Review: The Eighth Doctor Adventures – What Lies Inside?

Review by Jacob Licklider


So what happens when your production company switches to a box set structure but doesn’t necessarily have themes for every set?  Well that has been something that the past ten months of Big Finish Productions’ output has been, switching away from numbering their sets as to not overboard potential new listeners with so much content they would have to catch up on.  It is with this in mind that the Eighth Doctor Adventures range was changed from the four box set arc model to integrate it with the other releases which had some interesting side effects.  This meant that this year Big Finish have scheduled four sets featuring the Eighth Doctor, the conclusion to Stranded, the two now standard 3-disc Eighth Doctor Adventures, and a special fourth set featuring Charley Pollard.  The two standard sets were scheduled for the last two months of the year, most likely to have a gap for actual production of the sets, the first being What Lies Inside? released this month while the second, Connections, is out in December.  What’s especially intriguing is that while there isn’t any sort of story arc, Rafe Wallbank crafted connected covers almost reminiscent of the Eighth Doctor Adventures novels covers (Interference in particular comes to mind).  What Lies Inside? is the first set that falls into the category of 2022 sets where each of the stories has been completely standalone, following Silver and Ice and The Outlaws, and like those sets the structure is a two hour adventure and a one hour adventure, though here each episode is an hour long.

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Audio Review: The Confessions of Dorian Gray – The Anniversary

Review by Jacob Licklider


The Confessions of Dorian Gray is a range from Big Finish Productions which had its start in 2012 using the public domain character from Oscar Wilde’s novel with the premise that instead of destroying the portrait with a knife Dorian kept on living throughout the century.  The range ended after five series in 2016, with an audiobook revival in 2019 reading three unmade stories, a quick free story during the 2020 COVID-19 pandemic lockdowns, and now one special anniversary release on vinyl, The Anniversary.  Ordering The Anniversary from the Big Finish website also includes behind the scenes interviews, a music suite, and a reading of Scott Handcock’s 2012 story, Gray Matters.  While Gray Matters is a story, it does not share continuity with The Confessions of Dorian Gray and will not be discussed in detail for this review, though I will say it is an excellent piece of short fiction as long as you separate it from the typical continuity due to the characterisation of Dorian as a character being more lonely and detached. Continue reading

Review: Rose Tyler – The Dimension Cannon – Other Worlds

Review by Cavan Gilbey


I am by no means a Rose Tyler fan. She isn’t me least favourite companion, not by a long shot, but she isn’t one I’m really that enamoured with. So when Big Finish got Piper back to do some audios with Tennant a few years ago it took me a while to get round to them, I wish I had gotten to them early as Infamy of the Zaross and Sword of the Chevalier are both tons of fun. Now I haven’t heard the first Rose Tyler boxset, so I had very little to go on when I went into this second instalment in the series. I wish I had heard that first set because I think Other Worlds might be my favourite spin-off release of the year, a fact I am extremely surprised by because I didn’t think the Rose Tyler boxset would offer three nuanced and impressive dramas which handle some really mature topics like parental estrangement and government crack downs on protests.  I’m going to say up front that you should buy this boxset now, I had an overwhelmingly positive time with this set and I can see a re-listen coming quite soon.

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Review: Doctor Who Third Doctor Adventures – Kaleidoscope

Review by Jacob Licklider


Six-part Doctor Who serials are often particular favourites of mine, simply because in storytelling there is quite a lot you can do in six episodes.  The 1970s revolutionised the six-parter by essentially dividing them into a four part story and a two part story which I have discussed at length on the Internet before because it allows for more exploration of characters and a plot that needs to be able to go through the length with at least one big twist at a point in the story to send things off in a different direction.  Big Finish Productions have done six-part stories before, ‘The Next Life‘ and ‘The Game‘ were the earliest, and several of the Lost Stories range were allotted six episodes as that is how those scripts were pitched and often written which worked especially well for stories like ‘Farewell, Great Macedon‘ and ‘Lords of the Red Planet‘.  This year they’ve dipped their toes into a single seven part story with The Annihilators which I enjoyed and reviewed, but as the rest of the Doctors got two box sets, the second set for the Third Doctor continues the trend of longer stories with a single six part adventure set during the middle of Season 11 dealing with some of that season’s major themes written with a more modern sensibility from Alan Barnes.  Kaleidoscope at one point directly references similarities to ‘Invasion of the Dinosaurs‘ and while there isn’t Malcolm Hulke’s ecological message, it does deal heavily with governmental conspiracy and how the 1970s Cold War mixed with pop culture.

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Review: Torchwood – SUV

Review by Cavan Gilbey


Tosh and Ianto have had two of my favourite Torchwood audios recently, both of which really utilise the characters to tell engaging and personal emotional character studies which have these great darker edges to them; Ianto’s almost fetishistic need to feel loved or Tosh’s treatment at the hands of institutional racism in the medical world. So putting these two members together specifically is a great choice and worked really well in their previous joint adventure Dinner and a Show. SUV doesn’t quite feel as fresh or interesting as that story, in fact much of this story feels too much like a retread of the character work done there but the pairing are still charismatic enough to make the audio overall fun and snappy.

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Review: Master! – Nemesis Express

Review by Cavan Gilbey


The Eric Roberts incarnation of the Master has entered his renaissance period; a new series of solo stories, reunions with the Eighth Doctor and other Masters, and even a face off against River Song. Seeing this particular portrayal of the Master become so quickly beloved and reappraised is a real joy for me as I’ve always loved the deep levels of camp, pomp and Vincent Price energy that Roberts brought to the role back in 1996. A couple of years ago he got a chance to shine in his own solo set where he was pitted against Big Finish original creation Vienna Salvatori as well as a brief face-off with the Daleks, and that set is genuinely a stoke of genuine in reinventing just how the Master can be characterised and how he works as a villain. So I was eager to listen to Nemesis Express; another three hours with a personal favourite Master. 

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Audio Review: The Worlds of Blake’s 7 – Zero Point

Review by Ian McArdell


The Terra Nostra: Zero Point is the third in a set of audiobooks tied to Big Finish’s The Worlds of Blake’s 7 range. A companion to the recent boxset The Terra Nostra, it deals with the insidious organisation who wield soft power in the criminal underbelly of the Federation. Continue reading

Review: Doctor of War – Destiny

Review by Jacob Licklider


Doctor of War: Genesis was the first of a surprise two release miniseries reviving the Doctor Who: Unbound range by giving listeners a chance to explore essentially one aspect of the Time War that the normal Doctor Who ranges either couldn’t do or just haven’t done. The entire idea is that the timeline is rewritten at the “Do I have the right?” speech in Genesis of the Daleks, Sarah Jane and Harry are killed, and the Doctor regenerates into a fifth incarnation played by Colin Baker as reality fractures. Doctor of War: Destiny continues from Doctor of War: Genesis in three separate stories that on the whole does something that the idea of Doctor of War could have become if it were a bit more self-indulgent in retelling classic Doctor Who stories in this new timeline. Doctor of War: Genesis really only did that with the first few scenes to show where the timeline diverged while taking some ideas from other stories but not just remaking them, Doctor of War: Destiny opens and closes with two stories that do takes on classics with the middle story not quite being filler, but being a story to do world-building with the universe and playing around with the Time War at a conceptual level and how changing time can affect a civilisation. What’s especially interesting is this is a set that wraps up the story fairly completely, there is a post-credits sequence that implies it’s possible for this Doctor of War series to continue, but the arc itself is basically over and the threads have found their endings.

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Review: Tenth Doctor – Classic Companions

Review by Cavan Gilbey


Companions become just as much of a friend to the audience as they do to the Doctor, so seeing them return by having them reunited with Doctor after ages can be really refreshing and rewarding. However this concept is only going to really work if we have actually spent some time away from those characters, which with Big Finish is nigh on impossible because every companion is omnipresent there and you can find a new Peri audio just as much as you can a new Jamie story. Tegan and Ace returning to TV feels significant since they’ve not been seen for ages, but we have heard so many extended adventures with them so having them meet a later Doctor on audio doesn’t hit that spot. This is where we come to the main issue with Tenth Doctor, Classic Companions; it’s too much of a gimmick. Sure Classic Doctors, New Monsters is a gimmick but you can understand it more with the monsters than you can with the companions. This set feels like it exists solely to give Ten some stories with older companions as opposed to crafting interesting stories based around the way their relationships have changed, which doesn’t exactly make this an enticing listen.
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Review: The New Adventures of Bernice Summerfield – Blood & Steel (Vol. 7)

Review by Jacob Licklider


This review was always going to be a difficult review to write. As announced The New Adventures of Bernice Summerfield: Blood & Steel is set in Weimar Germany during the rise of the Nazis and as such this review will be discussing fascism, bigotry, and anti-Semitism due to the historical setting. This is also discussing the last time David Warner will be playing the Doctor due to his passing this year, though not the last Big Finish release (or even Doctor Who release) to feature Warner. While there is no word yet from Big Finish, it would not be a surprise if this was the end of The New Adventures of Bernice Summerfield as a range, ending as a fitting tribute to the Doctor who came to define the range, appearing as the secondary lead in five of the seven box sets released. As a range, it became a wonderful opportunity for new talent while continuing the legacy of perhaps the most important character to Doctor Who’s continued life during the Wilderness Years. Bernice Summerfield is what gave the Virgin New Adventures their longevity and is where Big Finish Productions got their start. If this is the end for the range and possibly the character, it is a brilliant set to go out on, but since there have already been two Bernice Summerfield ranges before this, Benny may not be truly gone. At least, not yet.

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