Review by Jacob Licklider
What made the first two instalments of The War Master work incredibly well was the decision to have the Master acting as a background character, working his scheme and influencing people to do things that seem to be good before things fall right apart at the end and it turns out the Master’s been in control all along. Killing Time, the sixth installment (though the fifth to be recorded, switched due to the COVID-19 pandemic) places the Master on the Stagnant Protocol. The planet is one that is out of the way and only noticed when people think that it can be taken over for its own gain. Currently there is a viral plague which the government has been inefficiently handling allowing for a new empress to take power with the Master working from behind the scenes. Now, this series was recorded in 2019 before the COVID-19 virus even existed, yet James Goss and Lou Morgan, in writing a science fiction set where the government doesn’t take the plague seriously, and the scientists are trying desperately to find a cure to the variants. In the behind the scenes interviews, the absurdism of Goss and Morgan’s premises for these episodes, as they weren’t expecting a global pandemic to take the world into one where the situation of the Stagnant Protocol is one that we now all know far too well. Even more coincidentally, this isn’t the only time this happened for Big Finish, two main range releases were delayed for similar reasons.
